SEARCH RESULTS FOR: Ferlin Husky
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(Singer, comedian, dj, actor, b. 1927) One of the first Bakersfield entertainers, Missouri-born Ferlin Husky moved to the town after serving in the Merchant Marines and first found work as a dj before signing with Four Star and recording as Terry Preston. Cliffie Stone put him on the Hometown Jamboree (as a replacement for ’Tennessee’ Ernie ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Songwriter, vocals, guitar, 1929–2002) Harlan Howard, inspired by Ernest Tubb, first began reaping his songwriting rewards in the late 1950s. ‘Pick Me Up On Your Way Down’ (1958) was his first hit when recorded by Charlie Walker, followed by ‘Heartaches By The Number’ (1959), which covered country and pop by Ray Price and Guy Mitchell ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, songwriter, 1930–2000) One of the earliest pioneers of the Bakersfield Sound, Oklahoma City-born Tommy Collins (Leonard Raymond Sipes) began activities on the West Coast thanks to the encouragement of dj Ferlin Husky. Securing deals with Cliffie Stone’s Central Songs and Capitol Records, he began putting Bakersfield on the map with nationwide humorous hits like ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The names of this array of landmark artists whose music either straddled or transcended specific genres, – Johnny Cash, Dolly Parton, Tammy Wynette, Loretta Lynn, George Jones, Conway Twitty, Charley Pride and Buck Owens among others – have become synonymous with country music. During the 1950s, 1960s and 1970s, country’s popularity penetrated ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The Nashville sound has been both praised and maligned. Occasionally called ‘crossover country’, ‘easy listening country’ or ‘countrypolitan’, it was a trend more than an innovation. As such, it arose as much from commercial considerations as it did from personal artistry. All through the decades there have been periodic cross-pollinations between the country world and the wider pop audience. From ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Like the USA itself, country music in California was built upon migrant forces, in relation to both musicians and audiences. Unlike Nashville, whose growth was mainly dependent upon local musicians, the Golden State scarcely produced any homegrown talent but, rather, was dependent upon the influx of migrant workers from other states. The greater number of ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The singing cowboys did not have the monopoly on country music on the silver screen, although it was their breed that first caught Hollywood’s attention. By the time the 1940s rolled around, several of Nashville’s top stars found that they could expand their careers by bringing their talents to the vast new audiences. Singing Stars In the earlier decade ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

With his pioneering use of fuzz, feedback and distortion in tandem with a God-given talent, Jimi Hendrix expanded and redefined the range of the electric guitar, and in so doing he became one of rock’s greatest superstars, all within the space of just four years. Changing Names Born in Seattle, Washington, on 27 November 1942 ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Cabaret thrived on sensuality, wit and an intimacy between performer and audience. Its essence lies in intimate, escapist venues, where charismatic artists perform with ad-hoc backing from piano, brass and bass. Unlike the popularist music hall, cabaret was born from experimentation and a desire to explore the space between mass entertainment and the avant-garde. A French ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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