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(Keyboards, vocals, b. 1943) Real name Clive Powell, his million-selling ‘Yeah Yeah’ in 1964 triggered a chart run that included two more UK No. 1s in the self-composed ‘Get Away’ and – also a US Top 10 entry – 1967’s ‘Ballad Of Bonnie And Clyde’. Though there have been no more hits since 1971’s ‘Rosetta’ (with ex-Animal Alan ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Just as sports have their pantheon of greats, the country-music industry established its own Hall Of Fame in 1961 to honour its most influential figures and deepen public understanding and appreciation of the music’s rich heritage and history. A Pantheon Of Country Stars As of 2005, 62 artists and industry leaders – starting with Jimmie Rodgers (1897–1933) and songwriter ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

By turns avant-garde adventurer, high-voltage rocker and Third World explorer, Yorkshire-born guitarist John McLaughlin has seldom repeated himself. Born in 1942, McLaughlin studied piano from the age of nine and taught himself guitar after becoming interested in country blues, flamenco and Django Reinhardt. A gig with Pete Deuchar’s Professors of Ragtime in 1958 was his ticket to ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1947) After 1964’s ‘As Tears Go By’ – written by Rolling Stones Mick Jagger (her then-boyfriend) and Keith Richards – climbed high in the UK and US charts, a winning streak was protracted with songs of like lightweight persuasion until Faithfull’s innocent schoolgirl image was tarnished for ever by frank and public opinions on free love and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Muddy Waters (1915–83) is the vital link between the pre-war Delta blues and the post-war Chicago blues. Born in Rolling Fork, Mississippi, he grew up on Stovall’s Plantation near Clarksdale and became steeped in the slide-guitar blues of Son House and Robert Johnson. In 1941, he was recorded by archivist Alan Lomax, playing ‘Country Blues’ and ‘I’s ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Muddy Waters was without question the creator of the Chicago blues sound, the most important figure in post-war blues and the greatest influence on the British blues movement that followed. The Rolling Stones even went as far as to name themselves after a Muddy song. Muddy’s music blended the downhome essence of Mississippi Delta blues with the sophistication of Chicago’s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

During the mid-1950s, the American and British pop scenes experienced a complete shake-up of the old order. Up until the decade’s halfway point, the airwaves, record stores and jukeboxes were filled with sentimental ballads, novelty songs and instrumentals that largely reflected the tastes of white adults. American artists such as Frankie Laine, Frank Sinatra, Dean ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Soul jazz stood out from other previous jazz forms. Its melodies were simpler and more rhythmic compared to hard bop, and influences from gospel and R&B were evident. In more traditional jazz forms, soloists would follow walking basslines or metric cymbal rhythms. In soul jazz, they followed a whole groove, which encouraged a different style of phrasing. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The legend of Sun Records seems to expand and shine brighter with every passing year, as successive generations discover the almost unbelievable array of musical gems that were created at that modest little studio at 706 Union Avenue, Memphis. Sun was the brainchild of one man and it is no exaggeration to say that without his contribution, not ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Nashville’s Grand Ole Opry is the oldest continuously broadcast live music programme in the world. Since it hit the airways in 1926, it has served as a springboard for dozens of key artists’ rise to national fame. Its presence in Nashville was central to the growth of the city’s music industry. Opry Origins The Opry started almost by accident one ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

A bowed string instrument, the arpeggione was invented in Vienna by J. G. Stauffer in 1823–24. A kind of bass viol, with soundholes like a viol, it is waisted, but shaped more like a large guitar than a viol or double bass. Six-stringed and with metal frets, it was tuned E, A, d, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Chapman Stick is a large instrument with a wide fretboard and eight, 10 or 12 strings. It is played by tapping (or ‘hammering-on’) a string at the desired fret with the finger and holding it down with the sustain of the note. Since only a single finger of one hand is needed to sound each note, the accomplished ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A small free-reed instrument, the harmonica, or mouth organ, is placed between the lips and moved to and fro to reach the rows of channels which house vibrating reeds, played by blowing into it. The arrival of the Chinese sheng in Europe in the eighteenth century encouraged a great deal of experimentation with free-reed instruments. In 1821 ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

To most people, the word ‘zither’ evokes The Third Man film theme and an image of a flat box with a lot of strings. But in organological classification it is a term covering a substantial proportion of the world’s stringed instruments. The technical definition is a little convoluted, but in effect a zither is one or more stretched strings ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

In the nineteenth century, country music belonged to fireside and family, to the frontier town and the backwoods hamlet. Four decades into the twentieth, it was utterly transformed, driven headlong into the new world of the new century. First, fiddlers’ conventions and other public events provided a context of competition and offered the musician the chance ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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