Nashville’s Grand Ole Opry is the oldest continuously broadcast live music programme in the world. Since it hit the airways in 1926, it has served as a springboard for dozens of key artists’ rise to national fame. Its presence in Nashville was central to the growth of the city’s music industry. Opry Origins The Opry started almost by accident one ...
The medieval psaltery was a flat box with strings running across its top; it was plucked either by the fingers or by a quill held in each hand. The harp-psaltery, or rote, took the form of a right-angled triangle with the apex pointing into the musician’s lap. Although played like a harp, in construction it was more similar ...
(Jo-van’-ne Bat-tes’-ta Pâr-go-la’-ze) 1710–36 Italian composer Pergolesi studied in Naples with Francesco Durante (1684–1755). He received his first commission in 1731 and the following year was appointed maestro di cappella to the equerry of the Viceroy of Naples. Pergolesi composed comic and serious opera, sacred music and a small quantity of instrumental music. He is chiefly remembered for two works of ...
(Fi’-then-ti Mar’-ti-ni So-le) 1754–1806 Spanish composer Martín y Soler had moved to Naples by 1777, when his Ifigenia in Aulide was staged there. By the early 1780s, his operas were being given in north Italy and he moved to Venice; from this time on he wrote only comic operas. Three years later he was in Vienna, where he had ...
(O’-le Bool) 1810–80 Norwegian violinist and composer Bull was one of the greatest violinists of the nineteenth century and a key figure in the development of Norwegian music. He went to Christiania (now Oslo) in 1828, where he soon became conductor of the Musical Lyceum, also devoting himself to theory and composition. In Paris in 1831, he was introduced ...
(Instrumental group, 1912–18) Freddie Keppard’s Original Creole Orchestra toured extensively during the teens as an early harbinger of authentic New Orleans jazz, reaching big-time vaudeville’s prestigious Orpheum circuit. Powerful pioneer trumpeter Keppard (1889–1933) had with him Creole clarinetists George Baquet, ‘Big Eye’ Louis Nelson and Jimmie Noone, pioneer bassist Bill Johnson and multi-instrumentalist Dink Johnson as a ...
(Tenor saxophone, 1904–69) ‘Hawk’ played with Mamie Smith’s Jazz Hounds in 1922 before joining Fletcher Henderson’s band in New York. Louis Armstrong’s presence in the band had a major effect on Hawkins’ playing; by marrying a swing feel to his heavy tone, informed by his advanced understanding of harmony and chords, Hawkins became a star soloist and the ...
(Trombone, 1898–1961) A vital figure of the 1920s, Irving Milfred Mole was among the earliest trombonists with the virtuosity to express fully developed musical lines on an instrument largely still relegated to glissandos and rhythm accents. Mole elevated the instrument to first-chair status on hundreds of records and solos, many recorded with Red Nichols. He left jazz to ...
(Piano, vocals, 1917–65) Nat ‘King’ Cole (real name Coles) was one of the few jazz artists to become a household name as a popular singer, and was one of the first black American artists to have his own radio show (1948–49), and later television show (1956–57). He was born into a musical family in Alabama, but moved ...
Since his emergence in the mid-1950s, alto saxophonist and creative composer Ornette Coleman has risen above controversy to become a respected elder statesman of jazz. Born in 1930 in Fort Worth, Texas, Coleman taught himself the saxophone through trial and error. By avoiding chord structures and set rhythms in favour of melodic experimentation, he developed the new ...
(Alto saxophone, b. 1956) Chicago native Coleman worked in funk and R&B bands before switching to jazz and learning under tenor sax great Von Freeman. He moved to New York in 1978 and worked with the Thad Jones–Mel Lewis Orchestra and Sam Rivers. He had a key tenure in the early to mid-1980s with Dave Holland before forming his own ...
(Vocals, banjo, 1892–1931) A textile-mill worker and banjo player, Poole led one of the finest of old-time bands, The North Carolina Ramblers, with guitarist Roy Harvey (1892–1958) and a succession of fiddlers headed by Posey Rorer. Their first release, ‘Don’t Let Your Deal Go Down Blues’ and ‘Can I Sleep In Your Barn Tonight, ...
(Vocals, guitar, harmonica, 1910–68) Clyde Julian ‘Red’ Foley was born in Blue Lick, Kentucky, and was central to the surge in country music’s popularity in the 1940s and early 1950s with hits like ‘Smoke On The Water’ (1944), ‘Tennessee Saturday Night’ (1948), ‘Chattanoogie Shoeshine Boy’ (1950) and ‘Birmingham Bounce’ (1950). For three decades, Foley headlined ...
(Vocals, banjo, 1913–98) Born in Niagara, Kentucky, Louis Marshall Jones was one of the Grand Ole Opry’s most beloved figures for more than 50 years, as well as a popular cast member of Hee Haw, a nationally syndicated country-music television comedy show that aired from 1969 to 1994. Styles & Forms | War Years | ...
(Violin, vocals, bandleader, 1910–69) When Bob Wills set up business in the San Fernando Valley, he found strong competition from Spade Cooley, an Oklahoma-born fiddle player who initially worked as a singing-cowboy stand-in and musician before becoming bandleader in the Venice Pier Ballroom. There he attracted sell-out business with his band, which numbered 22 members ...
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David Bowie
Fantastic new, unofficial biography covers
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