SEARCH RESULTS FOR: Jackie Brenston
1 of 3 Pages     Next ›

(Saxophone, vocals, 1930–79) Jackie Brenston recorded arguably the first rock’n’roll record with 1951’s ‘Rocket 88’, an R&B boogie that featured Ike Turner’s Kings Of Rhythm, of which Brenston was a member. ‘Rocket 88’ (by Jackie Brenston and His Delta Cats) stayed at the top of the R&B charts for over a month, but Brenston never recaptured the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Alto saxophone, 1931–2006) Jackie McLean worked with Sonny Rollins and practised with Bud Powell as a teenager. His invention and passionate delivery on alto saxophone attracted collaborations with Miles Davis (1951–52), Charles Mingus (1956, 1958–59) and Art Blakey (1956–57). He recorded a series of albums for Prestige and acted in Jack Gelber’s play The Connection (1959–61). His powerful recordings ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Singer-songwriter 1934–84) Detroit-born Jackie Wilson, an ex-amateur boxer, sang with gospel groups before replacing Clyde McPhatter in Billy Ward and The Dominoes in 1953. His first solo success came with 1957’s UK and US hit, Reet Petite’, co-written by Berry Gordy Jr., who went on to found Motown Records. His first US Top 40 hit was 1958’s ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, 1934–84) With his powerful high vocal range, Jackie Wilson was among the earliest singers to make the transition from R&B to soul. His first single, 1957’s ‘Reet Petite’, was the start of a winning partnership with its writer, young Berry Gordy (although Wilson never recorded for Gordy’s Motown label). ‘Reet Petite’ was actually more successful in ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Instrumental group, 1958–65) Bassist Black helped create the rockabilly sound on Elvis Presley’s Sun recordings and in the singer’s live performances from 1954–58 with guitarist Scotty Moore and drummer D.J. Fontana. Ironically, Black became better known commercially through a string of instrumental hits with The Bill Black Combo, a group he formed after leaving Presley in a ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

William John Clifton Haley was born on 6 July 1925 in Highland Park, Detroit, and raised near Chester, Pennsylvania. His parents were both musical, and he got his first proper guitar when he was 13. Even though he was blind in one eye and shy about his disability (he later tried to distract from it with his ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Rock’n’roll pioneer Ike Turner was born in Clarksdale, Mississippi in November 1931. He displayed an early interest in music while working for a local radio station. He was taught to play boogie-woogie piano by one of his idols, blues musician Pinetop Perkins. Inspired by other bluesmen like Howlin’ Wolf, Sonny Boy Williamson II, Muddy Waters and Elmore ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Although he did not coin the term ‘rock’n’roll’ – which was an African-American slang term for sex – New York disk jockey Alan Freed did popularize it when he attached it to a teen-oriented form of music that evolved from a fusion of rockabilly, R&B and, to a lesser extent, gospel and boogie-woogie. In its early forms, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Rock’n’roll did not spring fully formed from Memphis in the shape of Elvis Presley but was the coming together of several different roots musics. Country, jazz, doo-wop and the blues had all enjoyed significant audiences in their own right, and all would have a bearing on the sounds to come. The music scenes across America had been local ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The legend of Sun Records seems to expand and shine brighter with every passing year, as successive generations discover the almost unbelievable array of musical gems that were created at that modest little studio at 706 Union Avenue, Memphis. Sun was the brainchild of one man and it is no exaggeration to say that without his contribution, not ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Albert King’s late 1960s and early 1970s recordings for the Stax label remain cornerstones of modern blues. Tunes like ‘Born Under A Bad Sign’, ‘Crosscut Saw’ and ‘I’ll Play the Blues For You’ are also an antidote to the over-the-top playing indulged in by so many contemporary blues guitarists. For King, a six-foot-four, 250-pound man possessed of a big ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Benny Goodman was the first of the great bandleader virtuosos of the 1930s to achieve global success. Through a combination of personal connections, nerve, enormous talent and sheer luck, he parlayed a sequence of opportunities in 1934–35 into a payoff that changed American music. After forming his first band in New York in 1934, he won a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Founder, Motown Records, b. 1929) Gordy co-wrote Jackie Wilson’s ‘Reet Petite’ in 1957 while working on Detroit’s Ford assembly line and started Motown in 1959 with an $800 loan, creating a factory-like hit-making process. Gordy scouted talented Detroit performers and matched them to equally talented in-house writers and producers. He fostered a family atmosphere of (mostly) friendly rivalry ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Trumpet, cornet, guitar, 1915–76) After Bobby Hackett was praised in Down Beat by Boston critic George Frazier in 1937, he headed to New York and settled into a group of neo-traditional players loosely associated with Eddie Condon. Although a lifelong fan of Louis Armstrong, Hackett’s gentle, fluid lyricism made him a more logical descendent of ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
1 of 3 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.