SEARCH RESULTS FOR: Louis Jordan
1 of 15 Pages     Next ›

(Alto saxophone, vocals, bandleader, 1908–75) Louis Jordan & his Tympany Five were major stars in the 1940s, providing energized recordings and exciting live shows. The alto saxophonist began by playing in swing bands, including Chick Webb’s, but in 1938 he gambled on the success of his own personality, fronting a small group playing in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bandleader, saxophonist, 1908–75) During the big-band era saxophonist Jordan was burning up the R&B charts with his small group, The Tympany Five. Jordan’s music combined jazz and blues with salty, jive-talking humour. People called the sound ‘jump blues’ or ‘jumpin’ jive’, and from 1942 to 1951, Jordan scored 57 R&B chart hits. Jordan’s best-loved songs include ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

A blues guitarist best known for his slide-guitar work, Sonny Landreth (b. 1951) was born in Canton, Mississippi. The family relocated to Lafayette, Louisiana, where Sonny was immersed in the area’s swamp-pop and Zydeco music. Beginning as a trumpeter, he was already a virtuoso guitarist in his teens. His earliest role model was Scotty Moore, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Jazz and fusion guitarist Stanley Jordan (b. 1959) caught listeners’ attention with his touch technique, an advanced form of two-handed tapping, for playing guitar. By quickly tapping (or ‘hammering’) his finger down behind the appropriate fret with varying force, Jordan produced a unique legato sound not usually associated with tapping. Jordan was born in Chicago, Illinois. He ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

New Orleans is widely acknowledged as the birthplace of jazz, but it also produced its own indigenous brand of blues, which borrowed from Texas and Kansas City while also making use of Cajun and Afro-Caribbean rhythm patterns. A mix of croaking and yodeling, floating over the top of the music in an independent time scheme, Professor Longhair’s ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Loo-e’ Ek-tôr’ Ber-lyoz’) 1803–69 French composer and critic Berlioz was the leading French musician of his age. His greatest achievements, and those for which he is best remembered, were with large-scale orchestral and vocal works, although he also wrote in other genres. He was rooted in classical traditions – his earliest influences included Gluck and the music of the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Loo’-es Shpôr) 1784–1859 German composer, violinist and conductor Spohr was a prolific composer of instrumental music and also wrote operas that foreshadow Wagner’s leitmotif technique. He first studied in his native Brunswick, and Mozart soon became his idol. He was a virtuoso violinist and between 1807 and 1821 went on many tours to the major European cities with his wife ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Loo-e’ Mo-ro’ Got’shôk) 1829–69 American composer Gottschalk was a charismatic piano virtuoso distinguished by his New Orleans upbringing and French-Creole ancestry. He dazzled the salons and saloons of New Orleans as a child prodigy, and at the age of only 13 went to study in Paris, where his skill was admired by Chopin and Berlioz. He toured as pianist and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

An incomparable figure in the history of jazz, Armstrong played with an unprecedented virtuosity and bravura, while retaining an individual tone and a deceptively laid-back style. In the early 1920s, he shifted the emphasis of jazz from ensemble playing to a soloist’s art form, while setting new standards for trumpeters worldwide. The sheer brilliance of his playing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, harmonica, guitar, b. 1936) Iverson Minter, a.k.a. Louisiana Red, rose from childhood tragedy to build an impressive career. His mother had died and his father had been murdered by the Ku Klux Klan by the time Red was five years old. He first recorded for Chess in 1949, prior to his military ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, b. 1959) In the early 1980s, Chicago native Jordan developed a revolutionary approach to the guitar, in which he sounded notes by tapping on the fretboard with the fingers of both hands. This technique allowed Jordan to play completely independent lines on the guitar simultaneously. His dazzling polyphony soon captured the attention of Blue Note Records, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1949) A passionate, gospel-influenced singer, Walker came up in the 1960s on the San Francisco blues scene. In 1975 he began singing with the Spiritual Corinthians, remaining on the gospel circuit until 1985 when he formed his own band, the Boss Talkers. He recorded some strong albums during the 1980s for the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1930s–40s) Louise Massey And The Westerners are largely forgotten today, but in their heyday, this was one of the most successful western acts in the USA. Polished, versatile and influential, they boasted a smooth sound that obscured their origins as rural musicians under their fiddling father Henry’s tutelage in New Mexico. The band included ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1803–69, French The French composer Louis-Hector Berlioz, who once wrote that the opera houses of his time were too large, did a splendid job of filling their auditoria with the mighty sound of epic opera. His opera output was small, consisting of only five completed works, but their impact transcended mere numbers. Berlioz’s first surviving opera ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed: 1834–37 Premiered: 1838, Paris Libretto by Léon de Wailly and Auguste Barbier, after Cellini Act I The Pope has commissioned Cellini to make a statue of Perseus. Balducci, the treasurer, is annoyed; he wants the commission to go to Fieramosca, who he also wants to marry his daughter Teresa; she is in love with Cellini. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
1 of 15 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.