SEARCH RESULTS FOR: Mike Oldfield
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For 35 years Mike Oldfield (b. 1953) has created work that melds progressive rock, folk, world music, classical music, electronic music, new age and dance. He is best known for his hit 1973 album Tubular Bells, which provided a theme for the movie The Exorcist, broke new ground as an instrumental concept album, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

(Multi-instrumentalist, b. 1953) A prodigiously talented musician, Oldfield played all the instruments on 1973’s Tubular Bells. This symphonic work was a transatlantic best-seller, helped by the use of its main theme in the movie The Exorcist (1973). Hergest Ridge (1974) was a British No. 1 whilst Ommadawn (1975) and Incantations (1978) displayed African and folk influences. Platinum (1979) ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Mike Stern (b. 1953), the American jazz guitarist, emerged as a major force in the jazz guitar scene through his work with Miles Davis’ band in the early Eighties, Stern has played with stars such as Stan Getz, Jaco Pastorius, Pat Martino and David Sanborn. Stern was also a guitarist in Steps Ahead and the Brecker Brothers ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Blues-rock guitarist Mike Bloomfield was born in Chicago, Illinois in 1943, to an affluent Jewish family. He possessed an innate ability on guitar, which he began playing at the age of 13, initially influenced by Scotty Moore. Despite his background, Bloomfield quickly became a devotee of Chicago’s indigenous blues scene, frequently visiting clubs on the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative-rock guitarist Mike McCready (b. 1966) was born in Pensacola, Florida. His family moved to Seattle soon afterwards. He was 11 when he bought his first guitar and began to take lessons. In high school, McCready formed a band that disintegrated after they were unsuccessful in obtaining a record contract in Los Angeles. Disillusioned, he did not pick ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Guitar, vocals, 1943–81) Bloomfield apprenticed in Chicago with legends such as Muddy Waters and Howlin’ Wolf, as well as among his peers Paul Butterfield, Charlie Musselwhite and Elvin Bishop. He played on classics with the Paul Butterfield Blues Band (1966’s East-West), Bob Dylan (1965’s Highway 61 Revisited) and organist Al Kooper (1968’s Super Session). He helped to ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, 1943–81) Once a mainstay of Chicago’s Paul Butterfield Blues Band and the shorter-lived Electric Flag, Bloomfield was a prime mover in an apparent shift towards recognition for individual players rather than groups in the late 1960s. Joined by guitarist Stephen Stills and organist Al Kooper, his modestly titled Super Session was the best-selling CBS album of 1968. ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Tubular bells, also known as orchestral or symphonic chimes, are a set of tuned steel tubes with a chrome finish, hanging vertically in a stand with a pedal damper. The optimum range for a chromatic set of tubular bells is 11⁄2 octaves rising from middle C (c'–f''), as notes above or below this range are difficult to tune ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Spanish guitar legend Carlos Montoya (1903–93) helped propel the flamenco style of music from accompaniment for gypsy folk dances and songs to a serious and internationally popular form of guitar music. Montoya was born into a gypsy family in Spain. He studied guitar with his mother and a local barber, eventually learning from professionals and becoming an expert on the ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Juan Cristóbal Martín (b. 1948) was born in Málaga, Spain, and started learning the guitar at the age of six. In his early twenties he moved to Madrid to study under Nino Ricardo and Paco de Lucía. Martín was influenced by classic flamenco and the Spanish classical guitar tradition. His major influences included de Lucía, Tomatito and Andrés ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

(Vocal group, 1963–present) A long-standing soul harmony group formed by Eddie Levert and Walter Williams, later adding William Powell, Bill Isles and Bobby Massey. The O’Jays first charted in 1963 but were considering quitting music when they came under the aegis of Philadelphia soul producers Gamble and Huff, immediately scoring a hit with ‘Back Stabbers’ in 1972. ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Ambient music has existed since the late-nineteenth century. Although Brian Eno was the first artist to use the term ‘ambient’ to describe his music on his 1978 album, Music For Airports, composers like Claude Debussy and Erik Satie, with their notion of composing pieces to complement listening surroundings, broke with musical conventions and expectations. Frenchmen Erik Satie ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

For many people in the 1960s, folk was equated with acoustic music or even unaccompanied music – and electric guitars were the great taboo. The sense of propriety among the revivalists of the time made them fiercely protective of the music, determined to preserve its purity in the face of attack from the evil forces of pop. Many saw ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

New age music has become the most popular form of contemporary electronic music. Unlike the other variants, new age has become popular with a global mainstream audience, even more so than the most commercial strains of contemporary chill out. Although similarities do exist between new age and ambient music – both styles were influenced by the same pioneers, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

January The Sex Pistols Get The Bullet On 6 January 1977 EMI Records terminated its contract with The Sex Pistols, saying it was unable to promote the group’s records ‘in view of the adverse publicity generated over the past two months’. The media furore over the Pistols’ TV appearance six weeks earlier had barely abated and now politicians were weighing ...

Source: Punk: The Brutal Truth, by Hugh Fielder and Mike Gent
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