(Vocal/instrumental group, 1984–present) The Nashville Bluegrass Band put the blues back into bluegrass with their frank borrowings from black gospel quartets and country bluesmen. The band was founded in 1984 by Alan O’Bryant (vocals, banjo, b. 1955), Pat Enright (vocals, guitar, b. 1945), Mike Compton (mandolin, b. 1956) and bassist Mark Hembree, with Stuart ...
Johnny Hiland (b. 1975) is one of the top guitarists to emerge from the Nashville music scene in recent years. His playing combines country chicken pickin’ with elements of blues, metal and jazz. Often compared to Danny Gatton, Hiland displays an amazing vocabulary as he plays seemingly effortlessly onstage. His skill is also noteworthy because he is legally blind ...
Groups of fresh-faced young men singing catchy tunes have been one of the mainstays of commercial pop since The Beatles. In the last two decades, manufactured boy bands such as New Kids On The Block and Take That have ruled the roost. Although their musical legacy bears no comparison to that of The Fab Four’s, the devotion they inspired ...
When The Grateful Dead started attracting a large fan following on the Bay Area concert scene during the late-1960s, courtesy of free-form jams that showcased the band’s fusion of folk, rock, country and blues, it signalled that rock’n’roll was latching onto a tradition of improvization that had long been prevalent in other forms of Western music. This ...
Unlike practically any other strain of indigenous American music, bluegrass can be traced back to a particular time and a particular group of men: Kentucky-born mandolin player/bandleader Bill Monroe and a select handful of musicians he gathered in his band, The Bluegrass Boys. Monroe and the celebrated 1940s vintage line-up of The Bluegrass Boys first transformed traditional acoustic guitar-fiddle-bass-fiddle ...
The classical period saw the rise of the ‘Harmonie’, a small wind band of up to a dozen instruments. Usually this consisted of a mixture of brass and reeds, such as horns, clarinets, oboes and bassoons: Beethoven’s octet op. 103 (1792) is written for two of each of these (the 1796 op. 71 sextet leaves out the oboes). ...
The Nashville sound has been both praised and maligned. Occasionally called ‘crossover country’, ‘easy listening country’ or ‘countrypolitan’, it was a trend more than an innovation. As such, it arose as much from commercial considerations as it did from personal artistry. All through the decades there have been periodic cross-pollinations between the country world and the wider pop audience. From ...
While in the US and several European countries there is a tradition of mixed wind bands, Britain developed bands made up of brass instruments with saxophone and percussion. The repertory of such ensembles tended to be arrangements of dance music, opera overtures and marches. (Twentieth-century British composers have pioneered original music for brass band.) The brass band developed ...
The music of Latin America combines influences from the traditional music of the African slaves transported between 1450 and the end of the nineteenth century, music from the Spanish and Portuguese colonial powers, and latterly, pop and jazz from North America. Samba is an umbrella term describing an energetic style of dancing and drumming performed at the annual ...
(Instrumental group, 1900–17) The Eagle Band, originally led by Buddy Bolden, was an extremely popular and influential New Orleans ensemble. Frankie Duson (or Dusen) (1880–1940), a powerful tailgate trombonist, joined the band in 1906 and went on to take over the band when Bolden suffered a mental collapse the following year. Subsequently, Duson employed various Bolden ...
(Instrumental group, 1917–25) The Original Dixieland Jass Band were five young white musicians from working-class uptown New Orleans – Nick LaRocca (cornet), Larry Shields (clarinet), Eddie Edwards (trombone), Tony Spargo (real name Sbarbaro, drums) and Henry Ragas (piano). All alumni of ‘Papa’ Jack Laine’s stable of bands, they went to Chicago and then to New York, where ...
(Vocal/instrumental group, 1927–34) They did not invent the style, but guitarist/harpist Will Shade (a.k.a. Son Brimmer) and his rollicking aggregation were among the most popular and influential of the jug and string bands that proliferated around Memphis and Louisville, as well as in the Mississippi Delta, during the 1920s and 1930s. With various personnel coming ...
(Vocal/instrumental group, 1963–67) Harmonica player and singer Butterfield conditioned his band – Jerome Arnold (bass), Elvin Bishop and Mike Bloomfield (guitars), Sam Lay (drums, vocals) and Mark Naftalin (keyboards) – in black Chicago clubs. They backed Dylan’s electric debut at the 1965 Newport Folk Festival and helped to usher blues into the psychedelic era, with the groundbreaking East-West ...
(Vocal/instrumental group, 1964–present) College mates Corky Siegel (harmonica, piano) and Jim Schwall (guitar) started out as a duo. They softened the electric blues they heard in Chicago with acoustic guitar and folk-music leanings. They expanded – adding Jos Davidson (bass, vocals) and Russ Chadwick (drums) – and made their debut album for the Vanguard label in 1966. They ...
Few groups made as powerful an impression on American blues music in the early 1970s as The Allman Brothers Band. Its blend of blues, jazz, rock and country elements was a predominant sound on nascent FM radio and influenced countless bands that followed in their wake. The Allman Brothers Band have endured tragedies, periods of obscurity and personnel ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.