(Piano, vocals, 1930–70) The finest post-war blues pianist, Spann learned to play at churches and parties around his Jackson, Mississippi birthplace. From 1952 until his death from cancer, he was house keyboardist at Chess Records, recording with Muddy Waters, Bo Diddley, Sonny Boy Williamson, Howlin’ Wolf, Little Walter and others. Although ...
(Drums, vibes, vocals, b. 1921) John Alexander Veliotes, born in Vallejo, California, started as a drummer and formed a big band in 1945. By 1947, Otis had switched to a seven- or eight-piece group. This was one of the earliest R&B combos to tour; the Johnny Otis Rhythm & Blues Caravan included vocalists Little ...
(Guitar, vocals, b. 1934) Rush, who was born in Philadelphia, Mississippi, was – along with Buddy Guy and Magic Sam – part of the defining trinity of Chicago’s West Side sound. His 1950s Cobra Records singles ‘All Your Love (I Miss Loving)’ and ‘I Can’t Quit You Baby’ became standards. Rush is undoubtedly a genius, ...
(Guitar, banjo, mandolin, harmonica, vocals, b. 1948) Colorado’s Otis Taylor is the most inventive blues songwriter to emerge in recent decades. The Chicago native revives the genre’s role as protest music, often telling stories of lynchings, racial injustice and homelessness. His use of archaic Appalachian banjo tunings, droning progressions and digital delay creates ...
(Bandleader, singer-songwriter, b. 1921) Of Greek parentage, California-born John Veliotes topped the US R&B chart twice in 1950 with ‘Double Crossing Blues’ and ‘Mistrustin’ Blues’, both credited to The Johnny Otis Orchestra. After moving from Berkeley to Los Angeles, he supposedly discovered such notable R&B vocalists as ‘Little’ Esther Phillips, Willie Mae ‘Big Mama’ Thornton, ...
Georgia’s finest soul son, Otis Redding’s story encapsulates the history of soul music. He was a hard-working performer with special gifts who became a role model of dedication and success, an icon for his African-American peers. In the process he also won the hearts of the white audience with his music, and, by the simple act of ...
(Vocal/instrumental group, 1968–present) Many fans who love Fleetwood Mac’s string of 1970s hits are unaware of their earlier blues explorations. The band came into being when guitarist Peter Green, drummer Mick Fleetwood and bassist John McVie broke away from John Mayall’s Bluesbreakers. In 1968, with Jeremy Spencer on second guitar, Fleetwood Mac debuted on Blue Horizon. A ...
Muddy Waters (1915–83) is the vital link between the pre-war Delta blues and the post-war Chicago blues. Born in Rolling Fork, Mississippi, he grew up on Stovall’s Plantation near Clarksdale and became steeped in the slide-guitar blues of Son House and Robert Johnson. In 1941, he was recorded by archivist Alan Lomax, playing ‘Country Blues’ and ‘I’s ...
Muddy Waters was without question the creator of the Chicago blues sound, the most important figure in post-war blues and the greatest influence on the British blues movement that followed. The Rolling Stones even went as far as to name themselves after a Muddy song. Muddy’s music blended the downhome essence of Mississippi Delta blues with the sophistication of Chicago’s ...
(Piano, guitar, b. 1913) Belzoni, Mississippi’s Perkins performed throughout the Delta until 1949, when he relocated to Chicago to play with Robert Nighthawk and Earl Hooker through the 1950s. In 1969 he replaced Otis Spann in Muddy Waters’ band. Perkins stayed until 1980, when he, Calvin Jones (bass), Jerry Portnoy (harmonica) and Willie Smith (drums) ...
(Vocal/instrumental group, 1964–present) College mates Corky Siegel (harmonica, piano) and Jim Schwall (guitar) started out as a duo. They softened the electric blues they heard in Chicago with acoustic guitar and folk-music leanings. They expanded – adding Jos Davidson (bass, vocals) and Russ Chadwick (drums) – and made their debut album for the Vanguard label in 1966. They ...
Chicago blues is a raw, rough-and-tumble music, defined by slashing, Delta-rooted electric slide guitars, raunchy-toned harmonicas overblown into handheld microphones to the point of distortion, uptempo shuffled rummers, insistently walking bass players and declamatory, soulful vocalists who imbued the tunes with Southern gospel fervour. It became a universally recognized sound by the 1960s, ...
Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...
(Vocals, b. 1945) This raw-edged songstress emerged from the same Austin, Texas scene that yielded Stevie Ray Vaughan, with her 1986 debut Stranger Blues. Strehli, who was born in Lubbock, perfected her slow phrasing and dynamic attack at the famed Antone’s nightclub, learning from visiting artists Muddy Waters, Otis Rush, Albert Collins and ...
The undisputed Queen of Soul since the title was first applied to her in the late 1960s, Aretha Franklin has been hailed as the greatest soul diva of all time. Possessing a voice of power and passion (and an underrated talent on the piano) she has turned her attention to everything from pop through jazz to classical; but with a ...
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David Bowie
Fantastic new, unofficial biography covers
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