SEARCH RESULTS FOR: Owen Bradley
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(Producer, record executive, 1915–98) This influential Westmoreland, Tennessee-born record producer started out as a piano player in pop dance bands before being hired as an assistant to pioneering Nashville producer Paul Cohen at Decca. From the late 1950s until the 1980s, Bradley produced the records and helped shape the musical identities of a host of stars, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1895–1991) The Kentuckian singer-guitarist was a superstar of early country radio, appealing to the vast mid-western audience of the WLS National Barn Dance with gentle renditions of old songs like ‘Barbara Allen’ and ‘The Fatal Wedding’. In the 1920s and 1930s he sold hundreds of thousands of songbooks and records. After retiring to run a music ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Although Bakersfield had already played host to a number of country-music artists, it was Buck Owens (1929–2006) who not only put it on the map, but also spread its name around the world. So great was his impact, some even called it ‘Buckersfield’. The Road To Bakersfield Hailing from Sherman, Texas, and born Alvis Edgar Owens ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, 1932–2006) One of the Bakersfield Sound’s few females, Owens began her career singing with Buck Owens in Mesa, Arizona, and married him in 1948. Three years later they moved to Bakersfield, where she worked as a singer and waitress at the Clover Club, and made her recording debut with ‘A Dear John Letter’ (1953), ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, record producer, b. 1937) New Mexico-born Bowen enjoyed three distinctive careers, first as a rock’n’roll artist with Buddy Knox (their 1957 double A-sided single, ‘Party Doll’/’I’m Stickin’ With You’ sold a million copies); then as a West Coast record executive, working with such as Frank Sinatra and Dean Martin; and, finally, running several ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1935) This gifted Ironton, Ohio-born singer possesses a laconic, empathic baritone voice that has made him one of country’s most adventurous and imaginative song interpreters. During the 1960s, Bare found pop chart success and popularity with folk audiences with wistful, pop-flavoured crossover ballads like ‘Detroit City’ (1963) and ‘Streets Of Baltimore’ (1966). He was ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Buddy Holly was born Charles Hardin Holley in Lubbock, Texas, on 7 September 1936. Buddy got a guitar in his mid-teens and started practising with friend, Bob Montgomery. They liked country and western but also had predilection for the blues. An Elvis gig in Lubbock in early 1955 alerted them to new possibilities. Buddy and Bob, as ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, songwriter, b. 1961) Canadian lang’s first international album, the Dave Edmunds-produced Angel With A Lariat (1987), was critically acclaimed. A duet with Roy Orbison on a remake of his 1961 hit, ‘Crying’, for the movie Hiding Out, was her first country hit. She then teamed up with veteran producer Owen Bradley for Shadowlands (1988), which ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Country music has spawned numerous superstars, but few can match the impact made by the woman who became known as the Coal Miner’s Daughter. Born Loretta Webb on 14 April 1935 in Butcher’s Hollow, Kentucky, she married Oliver ‘Moonshine’ Lynn in 1949. She has been an inspiration and guide to countless aspiring female acts who followed her into ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

One of country music’s most influential and enduringly popular figures, Patsy Cline managed to transcend with seeming effortlessness the uneasy rift between traditional country music and the more urbane Nashville sound that emerged full-blown in the late 1950s. Crossover Diva Cline was one of the few female artists at the forefront of the emerging Nashville sound. With her smooth yet ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Nashville sound has been both praised and maligned. Occasionally called ‘crossover country’, ‘easy listening country’ or ‘countrypolitan’, it was a trend more than an innovation. As such, it arose as much from commercial considerations as it did from personal artistry. All through the decades there have been periodic cross-pollinations between the country world and the wider pop audience. From ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The Nashville sound, which has been as much praised as maligned, was a classic example of Nashville’s burgeoning record industry flexing its newfound muscles and making an intentional grab at the brass ring of increased record sales. Occasionally called ‘crossover country’, ‘easy-listening country’ or ‘countrypolitan’, the Nashville sound was as much a product of commercial calculation as artistic inspiration. ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

From its roots, country music has been associated with simplicity – in melody, in subject-matter and in instrumentation, and it is this that has perhaps ensured its longevity. However, all good musicians make their craft look simple, and the history of country music is packed with virtuosos, from the pioneering banjoist Earl Scruggs, through ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Mellotron and its predecessor the Chamberlain were in effect the earliest examples of a sample playback instrument. Chamberlain In 1949, Californian inventor Harry Chamberlain, patented the Chamberlain MusicMaster. It was the first commercially available instrument to use pre-recorded lengths of tape mounted within a keyboard in such a way that, whenever a key was depressed, a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Composed in 1944–45 and first performed on 7 June 1945, Peter Grimes reopened London’s Sadler’s Wells Theatre following the Second World War – at the request of managing director, soprano Joan Cross. This opera, and its success, provided the momentum that the post-war arts environment needed. From the moment Britten read ‘The Borough’ he began making plans ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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