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(Bass, piccolo bass, b. 1937) A consummately professional bassist, Ron Carter possesses a distinctive tone and phenomenal dexterity that place him at the upper level of jazz rhythmists. In the early 1960s Carter joined drummer Chico Hamilton’s popular quintet, then worked with Eric Dolphy, Don Ellis, Thelonious Monk, Cannonball Adderley and Art Farmer. From ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

As a member of the first family of country music, Maybelle Carter (1909–78) distinguished herself far beyond her role as accompanist to her brother-in-law A.P. Carter and his wife Sara (Maybelle’s cousin) in the Carter Family, the first recording stars of country music. Maybelle was born Maybelle Addington in Nickelsville, Virginia. In 1926 she married Ezra J. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Frank Anthony Iommi (b. 1948) was born in Birmingham, England. Like so many other teenage boys in 1960s Britain, he was inspired to pick up the guitar upon hearing Hank Marvin and The Shadows. In 1967, after playing in various local acts, Iommi hooked up with three former school mates – Bill Ward (drums), Terry ‘Geezer’ Butler ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

More than any other hard-rock or heavy-metal duo, Iron Maiden guitarists Adrian Smith and Dave Murray (b. 1956) set the standard for twin-guitar harmony lines and riffs. Indeed, their killer riffs and epic songs have helped to make Iron Maiden one of the most influential metal bands of all time. Murray was born in Edmonton, England. Inspired by ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

With the exception of Judas Priest, no metal band has been more influential than Iron Maiden. And it is no coincidence that Maiden first took flight when guitarist Adrian Smith joined the band one month into recording their second album, Killers, in 1981. Adrian Frederik ‘H’ Smith was born in Hackney, East London, in February 1957. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Hailed as one of hard rock’s greatest rhythm guitarists, Malcolm Young (b. 1953) was born in Glasgow, Scotland. When he was 10, the family emmigrated to Sydney, Australia, where Malcolm and younger brother Angus were taught to play guitar by elder sibling George, a member of The Easybeats. Malcolm founded AC/DC with Angus in 1973. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In the 25 years before cancer ended his life at the age of 46, Mick Ronson (1946–93) became a guitar icon through his seminal work as part of David Bowie’s Spiders From Mars band, work that would lead to production and performance assignments with artists such as Ian Hunter, Lou Reed and Morrissey, as well as American ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Bass Guitar In 1951, guitar maker Leo Fender launched the first commercially available electric bass guitar, the Fender Precision. Compared to the cumbersome and often difficult-to-hear acoustic double bass, Fender offered an instrument that had many advantages. Not only was it louder because it was amplified – and more portable – it allowed for more precise intonation because ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Ambient music has existed since the late-nineteenth century. Although Brian Eno was the first artist to use the term ‘ambient’ to describe his music on his 1978 album, Music For Airports, composers like Claude Debussy and Erik Satie, with their notion of composing pieces to complement listening surroundings, broke with musical conventions and expectations. Frenchmen Erik Satie ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Krautrock, which emanated from West Germany during the late-1960s, fused The Velvet Underground’s white noise experiments and Pink Floyd’s psychedelic rock with the free-form jazz aesthetic and funk-based rhythms. Avoiding the dull virtuosity of progressive rock and the sanitised R&B pop of the late-1960s, Krautrock’s grand vision of reinventing the rock guitar as well as exploring the untapped possibilities ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Electro is currently enjoying a huge renaissance, but, despite the current hype and mainstream acceptance of the music, it has always enjoyed a strong cult following. This is due to the music’s many different strands and its constant need for reinvention. At its most basic level, electro differentiates itself from house and techno by the fact that ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Jungle and UK garage are often cited as the only real British contributions to electronic music, but the slow motion beats of trip hop are also steeped in the multi-cultural sounds of UK music. Influenced by 1980s dub acts like On-U-Sound, Adrian Sherwood and African Headcharge and their own sound system backgrounds, Bristol based acts like Smith & ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

New age music has become the most popular form of contemporary electronic music. Unlike the other variants, new age has become popular with a global mainstream audience, even more so than the most commercial strains of contemporary chill out. Although similarities do exist between new age and ambient music – both styles were influenced by the same pioneers, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The development of electric and electronic musical instruments – as well as associated music-production systems – is one of the defining strands in the history of music over the last century. In fact, the advent of electric instruments predates even the twentieth century. Some of the instruments discussed here – such as the electric guitar – are commonly recognizable. Others ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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