SEARCH RESULTS FOR: Rosco Gordon
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(Piano, vocals, 1928–2002) Rosco Gordon was born in Memphis, Tennessee. He won an amateur contest in 1950 and was soon appearing on WDIA radio with his own show. He began recording with Sam Phillips in 1951; Phillips sold the master of ‘Booted’ to Chess Records and the master of ‘No More Doggin’’ to Modern. Gordon had two hits ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Tenor and soprano saxophone, 1923–90) Dexter Gordon is widely credited as the leading figure in the evolution of bebop on his instrument, the tenor saxophone. The Los Angeles native was influenced initially by stars of the swing era, in particular Lester Young, and went on to adapt many of Charlie Parker’s alto saxophone innovations to the tenor. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Clarinet, baritone, tenor and soprano saxophones, b. 1921) Jimmy Giuffre composed ‘Four Brothers’ for Woody Herman’s saxophone section in 1947 and later joined the Second Herd. He formed his important trio with Jim Hall (guitar) and Ralph Peña (bass) in 1957, then replaced bass with Bob Brookmeyer’s trombone in 1958. A subsequent trio with Paul Bley (piano) ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Although he did not coin the term ‘rock’n’roll’ – which was an African-American slang term for sex – New York disk jockey Alan Freed did popularize it when he attached it to a teen-oriented form of music that evolved from a fusion of rockabilly, R&B and, to a lesser extent, gospel and boogie-woogie. In its early forms, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The legend of Sun Records seems to expand and shine brighter with every passing year, as successive generations discover the almost unbelievable array of musical gems that were created at that modest little studio at 706 Union Avenue, Memphis. Sun was the brainchild of one man and it is no exaggeration to say that without his contribution, not ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Though art music since the war tended more often to define itself in opposition to rock and commercial pop music, signs of mutual regard were already emerging in the 1960s. While it is Stockhausen’s face that stands out from the crowd on the front cover of the Beatles’ 1967 album Sergeant Pepper’s Lonely Hearts Club Band, it was Berio ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The schools of naturalism and realism had an immediate effect in Italy. With scant literary tradition to draw on from this period, Italian writers in the second half of the nineteenth century seized upon Zola’s beliefs as a potent dramatic source. The style they developed came to be known as verismo and was exemplified by writers such as Giovanni Verga ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Handel was notoriously tough on singers who caused him problems. While rehearsing Flavio (1723), the tenor Alexander Gordon became exasperated with Handel’s method of continuo accompaniment, and threatened to jump on the composer’s harpsichord. It is said that Handel retorted ‘Oh! Let me know when you will do that, and I will advertise it. For I am sure ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Adele has attracted a diverse, cross-generational, international legion of fans. While it was teenage girls who first clicked onto the singer via channels such as Myspace, their mothers soon grew to love her too. The star has often paid tribute to her loyal fanbase, particularly for accepting her as she is. ‘To all the fans,’ she ...

Source: Adele: Songbird, by Alice Hudson

When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 2002–09) Bloc Party – Kele Okereke (vocals), Matt Tong (drums), Russell Lissack (guitar) and Gordon Moakes (bass) – achieved massive critical acclaim for their debut, Silent Alarm (2005). The record managed to appeal to a cross section of music lovers (Okereke even guested on a Chemical Brothers’ track), but is largely remembered for its stop-start guitar anthems ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, 1939–91) Stating his intent with 1961’s million-selling – and self-penned – ‘Runaway’, this square-jawed hunk from Michigan continued an exploration of small town soul-torture with the likes of ‘Hats Off To Larry’, ‘Little Town Flirt’ and ‘Stranger In Town’. Other chartbusters included ‘The Swiss Maid’, ‘From Me To You’ – the first Beatles composition to penetrate the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, b. 1948) Robillard’s grasp of blues and jazz has kept him in demand since he founded Roomful of Blues in 1967. He was born in Woonsocket, Rhode Island and was influenced by Bill Doggett, T-Bone Walker and many others, absorbing the fine details of playing and arranging. He left Roomful in 1979 for a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, 1923–50) Theodore ‘Fats’ Navarro died prematurely and left a limited recorded legacy, most of it as a sideman. Nonetheless, he stood alongside Dizzy Gillespie and Miles Davis as one of the most significant trumpeters in bebop. He took over Gillespie’s chair in Billy Eckstine’s seminal big band in 1945, and enjoyed a brief but creative relationship ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1915–98) Frank Sinatra was best known as a popular singer and film actor but established his jazz credentials early in his career. He combined the smooth, Italian bel canto style with a sure sense of swing, toured with Harry James and learned about breath control from Tommy Dorsey (1940–42). He worked with arrangers Billy May, Gordon ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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