(Vocals, guitar, 1932–99) Silverstein had just the right irreverent, satirical edge that the Outlaws movement was looking for, thanks to his background as a successful cartoonist for Playboy and a semi-successful folk singer. He wrote the comic fable ‘A Boy Named Sue’ for Johnny Cash (1969), the voodoo tale ‘Marie Laveau’ for Bobby Bare (1974), the ladies-man ...
(Clarinet, bassoon, 1902–91) Jazz’s first double-reed specialist on bassoon, Bushell played with Mamie Smith’s Jazz Hounds before a two-year stint with Sam Wooding’s Orchestra (1925–27). In 1928 he formed the Louisiana Sugar Babies with Fats Waller and Jabbo Smith, and he later worked with Otto Hardwick (1931), Fess Williams (1933), Fletcher Henderson (1935–36), Cab Calloway (1936–37) and ...
(Vocal duo, 1993–present) This Cambridge, Massachusetts-based duo embrace vintage music styles with absolute authenticity. Brooklyn-born Rishell (b. 1950, vocals, guitar) discovered traditional blues in the 1960s and played with Son House and Johnny Shines. He began leading bands and performing solo in 1975, releasing his debut Blues On Holiday in 1990. He then met Raines (b. ...
(Songwriter, bandleader, fiddle, vocals, 1894–1964) Shelly Lee Alley is best remembered for writing the classic ‘Traveling Blues’ for Jimmie Rodgers in 1931. Texan Alley led his own pop and jazz orchestras in the 1920s, but also enjoyed success as a western-swing bandleader a decade later. At various times, his Alley Cats included such stars as ...
(Vocal/instrumental group, 1934–50s) The Shelton Brothers (née Attlesey) were Texans who wavered between an old-time duet style and western swing. Joe (1909–83) played mandolin, Bob (1911–80) concentrated mostly on comedy (a third brother, Merle, played guitar). Originally teamed with Leon Chappelear as The Lone Star Cowboys, they went out on their own in 1934. Their swing ...
(Vocals, b. 1952) Virginia-born Shelton earned a dozen chart-topping hits from 1987 via his blending of country, rock’n’roll and gospel strains, often covering well-chosen older material, like his second No. 1, ‘Life Turned Her That Way’. He won CMA Male Vocalist Of The Year in 1989. During the early 1990s he combined writing children’s books, ...
(Vocals, guitar, b. 1939) Shaver arrived in Nashville in 1968, sold songs to Kris Kristofferson and Tom T. Hall, and wrote all but one song on Waylon Jennings’ 1973 album Honky Tonk Heroes. That led to Shaver’s own debut later the same year with Old Five And Dimers Like Me. Shaver had his songs recorded by Elvis ...
Hank Williams Jr. (b. 1949) was only three years old when his daddy died, and he barely knew the man who was, arguably, the greatest honky-tonker of them all. But his widowed mother groomed her baby boy to imitate his papa as closely as possible. He was on stage by eight, in the recording studio by 14 ...
At the beginning of the 1970s, the influences in mainstream country music continued to originate from a wide spread of sources, the most dominant being the Nashville sound, which now had strong pop overtures alongside a greater distortion of country music itself. On the other hand, an innovative breed of songwriters were about to be heard, ...
(Me-shel’ Re’-share de La-län-de) 1657–1726 French composer During the mid-1660s Lalande, along with Marais, was a member of the choir at St Germain-l’Auxerrois in Paris and later, as an organist, he was the mentor of Couperin. In 1683 he was appointed one of four sous-maîtres of the Chapelle Royale, gradually acquiring all the other major musical positions ...
One of the more popular bands of the ‘British Invasion’ and a considerable influence on both 1970s heavy metal outfits and 1990s groups such as Blur and Oasis, The Kinks went through numerous line-up changes but were always led by singer-songwriter Ray Davies (born 21 June 1944), while his brother Dave (born 3 February 1947) supplied the band’s signature rock ...
January–March Lifehouse Sessions Lifehouse was to be a multi-media, multi-sensory experience that would meld fiction with live performance. Well, that was Pete Townshend’s intention at least. In December 1970 the press had announced that the band would embark on two film projects: Tommy and the provisionally titled Barrel One And Barrel Two, which later evolved into Lifehouse. In ...
Originally comprising Pete Townshend (born 19 May 1945) on guitar, Roger Daltrey (born 1 March 1944) on vocals, John Entwistle (1944–2002) on bass and Keith Moon (1947–78) on drums, The Who virtually exploded onto the mid-1960s scene in a blaze of power rock that placed them at the forefront of the mod movement. Reinforced by Townshend’s songwriting, ...
August–October The High Numbers With Moon in place behind the drums, the transformation within the band was remarkable. Slightly younger than the others, Moon exuded a confidence that rubbed off on his band mates. A new publicist was in the offing too, when Pete Meaden, a mod evangelist, saw a chance to take the band and ...
‘Are you a mod or a rocker ?’ a reporter asked Ringo Starr in A Hard Day’s Night. ‘Uh, no,’ he answered, ‘I’m a mocker.’ The question was a pertinent one. On 18 May 1964, just over three weeks after the film was completed, the English seaside town of Margate saw a violent showdown between ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.