SEARCH RESULTS FOR: Simple Minds
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(Vocal/instrumental group, 1977–present) Formerly known as Johnny and The Self-Abusers, Glaswegians Jim Kerr (vocals), Charlie Burchill (guitar), Derek Forbes (bass), Mick McNeil (keyboards) and Brian McGee (drums) took on board the experimentations of Krautrock and Brian Eno for their second album Real To Real Cacophony (1979). They gently sloughed off their weirder tendencies over their next two albums, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1999–present) Formed by school friends Jeff Stinco (guitar), Chuck Corneau (drums) and Pierre Bouvier (vocals) after the demise of their Reset project in Quebec, Simple Plan trade in a similar brand of punk to fellow countrymen Sum 41. Ever at loggerheads with their critics on charges of immaturity or ‘selling out’, the band referenced this in the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1948) The former Michael Barratt worked the clubs for many years with his superb backing band The Sunsets, delivering old-fashioned rock’n’roll based on his convincing Elvis-isms. Success came late to the Welshman when he signed to Epic and delivered a seemingly endless stream of professionally reworked 1950s classics, including the No. 1s ‘This Ole House’ and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

This was a decade when the impact of dance culture on rock and vice versa sometimes led to exciting results: it opened with ‘Thriller’ and closed with the Madchester scene of Happy Mondays. Punk had subsided to become the less threatening new wave movement, which, along with the new romantics, dominated the early days of the decade. As ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The very name, ‘Classical Era’, speaks for itself: it proclaims a period that is regarded as ‘Standard, first-class, of allowed excellence’, with manifestations that are ‘simple, harmonious, proportioned, finished’, to quote a dictionary definition. The period from 1750 to roughly 1820 is widely recognized as one of exceptional achievement in music – it is the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The government-enforced isolation of Native Americans in the United States has fostered cultural independence, in contrast to the marked musical acculturation between the Hispanic-speaking and Amerindian societies in South America. But in modern times, North American groups have tended to set aside tribal differences and seek a pan-tribal cultural unity. The ‘Ghost Dance’, a religious cult led by Jack ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Du Fay’s Mass L’homme armé was one of the first of several dozen Masses of that name composed between the years 1450 and 1700. ‘L’homme armé’ (‘The Armed Man’) was a popular, probably satirical, tune which may have been aimed at the less-valiant members of the French army during the last stages of the Hundred Years’ War. Attracted by ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The bagpipe principle is simple: instead of the player blowing directly on a reed pipe, the air is supplied from a reservoir, usually made of animal skin, which is inflated either by mouth or by bellows. The result is the ability to produce a continuous tone, and the possibility of adding extra reed-pipes to enable a single ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Bugle Best known in its military guise, the bugle is one of the simplest of brass instruments in terms of construction, but it is very difficult to play. The single tube of metal has no valves to help create different notes, so players have to do all the work by changing their embouchure – a combination of the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Unusually among musical instruments, a specific date has been posited for the invention of the clarinet. Johann Christoph Denner of Nuremberg has been claimed as the man who, in 1700, devised and built the first of these instruments. Like all the best stories, however, the history of the clarinet is shrouded in mystery. The instrument attributed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

From its roots, country music has been associated with simplicity – in melody, in subject-matter and in instrumentation, and it is this that has perhaps ensured its longevity. However, all good musicians make their craft look simple, and the history of country music is packed with virtuosos, from the pioneering banjoist Earl Scruggs, through ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The crumhorn is a double-reed wind-cap instrument. This means that the two reeds are enclosed in a rigid cap. The player blows through a hole in one end of the cap, which makes the reed vibrate unimpeded, since there is no direct contact with the lips. The crumhorn is a cylindrically bored instrument, normally made of maple with ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A decibel is a measurement of the ratio between two quantities, and is used as a comparator in many branches of physics. In acoustics, decibels (or dB, for short) are used to indicate the loudness of a single sound in comparison to a fixed reference sound. This reference is the quietest sound audible to the healthy human ear ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

An electric guitar usually has a solid wooden body with no acoustic resonance. All the sound is created by the vibration of strings being translated into electrical signals by pickups and then amplified. History The modern electric guitar has its origins in the Hawaiian or steel guitar, particularly popular in the 1920s and 1930s. These instruments were the first examples ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The flute most familiar to us from its use in orchestral and solo music is more properly known as a ‘transverse’ or ‘side-blown’ flute. The flute family is distinct from the other woodwind instruments in that it does not use a reed to generate sound. Instead, a stream of air striking the edge of an opening in the side of ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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