SEARCH RESULTS FOR: Skeeter Davis
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(Vocals, 1931–2004) Davis (real name Mary Frances Penick) began her career in a duo called The Davis Sisters, along with her friend Betty Jack Davis. They had a No. 1 hit for RCA with ‘I Forgot More Than You’ll Ever Know’ in 1953 before Betty Jack was killed in a car crash later that year. On her own, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Guitar, harmonica, banjo, vocals, 1896–1972) Gary D. Davis was born in Laurens, South Carolina and was completely blind by the age of 30. He taught himself harmonica, banjo and guitar and played in string bands throughout the teens, going on to work the Carolinas as a street singer in the 1920s. Ordained as a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The history of post-war jazz tracked the musical development of Miles Dewey Davis III so closely that it is tempting to see the trumpeter as the orchestrator of each of the most significant stylistic shifts of the era. With the notable exception of free jazz, Miles seemed to trigger a new seismic shift in the music with each passing decade. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1899–2000) Born in rural Louisiana, Davis first made his name singing on radio station KWKH in Shreveport. From 1928 onwards, he was a popular recording artist, initially with sentimental and cowboy songs, then with raunchy blue yodels in the manner of Jimmie Rodgers. These included ‘She’s A Hum Dum Dinger From Dingersville’ and ‘Bear Cat ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, songwriter, actor, b. 1942) Also a television host, composer and one-time representative for Vee-Jay records, Texas-born Davis is responsible for several bestselling songs, including ‘In The Ghetto’ and ‘Don’t Cry Daddy’, both 1969 US Top 10 hits for Elvis Presley. Davis himself topped the US pop chart in 1972 with the million-selling ‘Baby Don’t ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1927–2013 English conductor Davis came to public notice as the conductor of early performances by the Chelsea Opera Group. He made his debut at Sadler’s Wells Opera in 1958, and was music director 1961–65. He was principal conductor of the BBC Symphony Orchestra 1967–71, music director of the Royal Opera 1971–86 and of the Bavarian State Radio Orchestra 1983–92 ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Piano, songwriter, 1933–97) This Santi, Louisiana-born pianist was to country piano in the 1950s and 1960s what his mentor Chet Atkins was to guitar. Cramer’s distinct ‘slip-note’ style became a hallmark of the Nashville sound. As a soloist, he also recorded dozens of albums and scored some crossover pop hits with ‘Last Date’ (1960) and ‘San Antonio ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Country music and gospel have always been close partners, since many gospel acts come from the American South, and Nashville, the home of country music, lies in the heart of the Bible Belt. Numerous influences abound within the Church, stretching from traditional shape-note singing that goes back several hundred years, to today’s contemporary and Christian ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The flugelhorn developed from the bugle, a signalling horn used in the Middle Ages and made out of bull or ox horn. This developed into a large, semicircular hunting horn made of brass or silver that was used by the military during the Seven Years’ War (1756–63). History Wrapping the horn around itself once, so the bell pointed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The term electric, or electromechanical, organ is used to describe instruments that produce sounds using a dynamo-like system of moving parts – as opposed to electronic organs that employ solid-state electronics. Laurens Hammond In the same way that ‘Hoover’ is used instead of ‘vacuum cleaner’, the very name ‘Hammond’ has become synonymous with electric organs. The Hammond organ was ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The trumpet is one of the most ancient instruments still played today. Clear depictions of trumpets survive in Egyptian paintings and two trumpets – one of silver, the other of gold and brass – found in the tomb of Tutankhamun date back to at least 1350 BC. There are many examples of Roman and Greek trumpets which, like the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Like a great river that runs endlessly, forming numerous tributary streams as it flows, jazz continues to evolve over time. And no matter how far the River Jazz may flow from its source – whether through stylistic evolution or technological innovation – the essential spirit of the music remains intact. Granted, the more academic and esoteric extrapolations of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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