SEARCH RESULTS FOR: Wynonie Harris
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(Vocals, 1913–69) Raised in Omaha, Nebraska, Wynonie Harris first came to prominence in the Lucky Millinder Orchestra of 1944, where he had a number-one Race Chart hit, ‘Who Threw The Whiskey In The Well’. A leather-lunged shouter in the Big Joe Turner tradition, Harris had a long successful run on King records (1947–57), which produced ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Pigeonholed as the ‘quiet one’, misunderstood as an adopter of Eastern religion and music, and overshadowed (sometimes maligned) by his prolific, trail-blazing bandmates Lennon and McCartney, George Harrison (1943–2001) might have become a footnote in musical history. But as a member of The Beatles, Harrison made the words ‘lead guitar’ a household term and steadily developed as ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Tenor saxophone, vocals, 1934–96) Eddie Harris was one of the few jazz musicians to achieve the distinction of a million-selling hit single with his version of the theme from the film Exodus (1960). A funky, hard-blowing saxophonist from Chicago, he pioneered the use of electronics with tenor saxophone through the Varitone signal processor and similar devices from ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1969) Harris was discovered on the streets of New Orleans playing acoustic blues. Soon after his debut, 1995’s Between Midnight And Day, the Denver, Colorado native began incorporating rock, Afro-Cuban, Afro-Caribbean and African influences into his repertoire, creating a distinctive fusion. The electric Greens From The Garden (1999) and Mississippi ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The undisputed queen of country rock, Emmylou Harris has long been both a student of traditional country music and a peerless innovator. Even now, some 30 years after she debuted with the tormented genius Gram Parsons, she is still the one others turn to for acceptance and support. Gram Parsons’ Influence Born in Birmingham, Alabama, on ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

b. 1934, English Uniquely gifted amongst contemporary English composers, Birtwistle first made a splash on the opera scene with the acclaimed Punch and Judy (1968). Centring around the murderous activities of Punch, the work distinguished itself through a lack of straightforward narrative, repeating the story several times from numerous different perspectives. Musically evoking the traditions of the ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1898–1979 American composer Born in a log cabin, Harris paid for his musical studies by driving a truck. He studied in Paris with Nadia Boulanger, but his rugged style owes as much to American folksong and hymn tunes as to his love of J. S. Bach. Of his 16 symphonies only the Third (1937), a work of epic striving ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

b. 1934 English composer Birtwistle, member as a student of the Manchester New Music Group, says his juvenilia are pastiche Ralph Vaughan Williams (1872–1958). Study with Richard Hall opened his ears to Stravinsky, Webern and Varèse, altering his musical style radically. In many ways his music is utterly individual; Birtwistle has said that he was driven to ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Guitar, vocals, 1943–2001) Harrison initially became the most successful solo Beatle with the blockbuster triple album All Things Must Pass (1971) and the transatlantic chart topper ‘My Sweet Lord’. George diverted himself into raising funds for the disaster in Bangladesh with an all-star charity gig at New York’s Madison Square Garden in August 1971. The event was commemorated in ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Singer-songwriter, b. 1947) Possessing the voice of an angel, Harris is one of the most adventurous country artists of the past four decades. Born in Birmingham, Alabama, she released a folk album in 1969; but it was her duets with Gram Parsons in the early 1970s that set her on the road. Fine solo sets with Parsons’ ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1984) Scottish DJ Harris (real name Adam Wiles) made a big wave in British disco in the latter half of the Noughties, filling club dancefloors with tracks like ‘Acceptable In The 80s’ and ‘Dance Wiv Me’ – his collaboration with Dizzee Rascal. He courts controversy, voicing his opinions via social network site Twitter, but his ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, 1911–85) Big Joe Turner’s tenure as ‘Boss of the Blues’ is dominated by one song, ‘Shake, Rattle And Roll’, which became an early rock’n’roll anthem as recorded by white artists Bill Haley and Elvis Presley. But Turner’s long career and legacy of R&B hits includes boogies like ‘Roll ‘Em Pete’, the seminal blues of ‘Cherry Red’, and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Tenor saxophone, vocals, 1919–89) Benjamin Joseph Jackson was born in Cleveland, Ohio and replaced Wynonie Harris as male vocalist with the Lucky Millinder Orchestra in 1945. From 1947 until the late 1950s he toured with his own group, the Buffalo Bearcats. He recorded for Queen/King from 1945; among his biggest hits were ‘I Love You, Yes ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Elvis Presley was the most important figure in popular music during the twentieth century. His influence was enormous, and remains so, nearly 30 years after his death. The recordings that he made during the first few years of his career inspired a whole generation and the initial impact of a country boy singing black R&B changed forever the strictly ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Tenor saxophone, 1921–55) Wardell Gray died in mysterious, drug-related circumstances without fulfilling his immense potential. His control and invention at fast tempos and fluent, swinging style on the tenor saxophone adapted readily to both swing and bebop settings, while his ballad playing was strong in both emotion and tonal warmth. His sadly underweight recorded legacy is largely ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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