Jungle and UK garage are often cited as the only real British contributions to electronic music, but the slow motion beats of trip hop are also steeped in the multi-cultural sounds of UK music. Influenced by 1980s dub acts like On-U-Sound, Adrian Sherwood and African Headcharge and their own sound system backgrounds, Bristol based acts like Smith & ...
It is a common enough opinion that the words ‘British’ and ‘rap’ are contradictions in terms. Unfortunately, this is indeed the case and it is solely because of the language barrier: rap delivered in any form of English other than American does not sound authentic. To attempt rap in the Queen’s English became known as the ‘Derek B Syndrome’, after ...
It used to be easy to talk about rap or hip hop, because essentially everybody knew where they stood: the artists made 12-inch singles that didn’t get played on the radio; they dressed in acres of brightly coloured leather, with people break-dancing and body-popping around them; and nobody came from farther west than New Jersey. Back in the day ...
When The Sugarhill Gang and Kurtis Blow made an impact on the mainstream pop charts in 1979, rap was immediately palmed off as a novelty. However, the style not only survived, but has proved to be so influential that, in varying degrees, pop, rock, heavy metal and reggae have all borrowed from hip hop ...
It has been argued that all rap is political: a genuine black street statement, giving voice to those outside the musical or social establishments in a way that connects with a similarly dispossessed audience, and so its very existence is a political act. While many will be justified in thinking this is patently nonsense, it is, actually ...
Rumbling out of Los Angeles with different beats, a different look and a very different attitude, gangsta rap was hip hop’s belligerent street child. This new sound grew up at black discos and parties away from mainstream interference, and so, much as the original hip hop had, it quite literally pleased itself and harked back to ...
Once hip hop had expanded beyond apparently using the hook lines from Chic’s ‘Good Times’ as the basis for just about everything, it quickly became as diverse as any other black music genre. Its evolution in recording studios took it way beyond the scope of conventional instruments. Can’t play piano like Herbie Hancock or bass like Bootsy ? So what ...
As the 1970s played out and disco took over, a new generation reacted against the commercial homogenization of black music by creating a completely new sound. This sound came from the streets and was accompanied by its own dress code, language, dance styles and attitude: hip hop was a way of life. Whereas disco was symbolized by ...
(Fri-drikh Fran’-zhek [Fra-da-rek’ Fran-swa’] Sho-pan) 1810–49 Polish composer Chopin was unique among composers of the highest achievement and influence in that he wrote all his works, with the merest handful of exceptions, for the solo piano. Leaving Warsaw, which at the time offered only restricted musical possibilities, and living most of his adult life in Paris, ...
Like so many of black America’s most enduring musical genres, hip hop was born out of invention. When, as the 1970s came to a close, a combination of disco and big record company involvement had diluted funk and soul to the extent that it had become boring to go out to a club on a Saturday night, something rumbled out of New ...
(Guitar, vocals, 1911–82) Sam Hopkins was born in Centerville, Texas. His father and two brothers were musicians and he learned guitar from an early age. He met and played with Blind Lemon Jefferson at the age of eight. He accompanied his cousin, Texas Alexander, for much of the 1930s, drifting through Texas. He was discovered ...
(Guitar, vocals, b. 1942) This Tulsa, Oklahoma native’s return to his roots as a blues player has been characterized by barnstorming live sets and albums for the Alligator label in the Chicago electric tradition, at times approximating the sound of Elmore James’s bands. Bishop, who became a charter member of the Paul Butterfield Blues Band while ...
(Vocal/instrumental duo, 1997–2011) Divorcées Jack (vocals, guitar) and Meg White (percussion) formed The White Stripes with the mission statement of keeping a childlike simplicity in their music and imagery. Dressing only in red, white and black and playing a thrilling version of blues and rock (owing as much to Led Zeppelin as pioneers like Son House and Leadbelly), ...
Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...
(Vocal/instrumental group, 1982–present) Ben Watt (guitar) and Tracey Thorn (vocals, bass) travelled a fascinating road, from the jazz-inflected indie of their self-titled debut in 1984 to the trip hop and drum’n’bass of Walking Wounded in 1996. This crossover was catalyzed by Thorn’s guest appearance on Massive Attack’s Protection in 1994, and DJ Todd Terry’s remix of ‘Missing’, ...
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David Bowie
Fantastic new, unofficial biography covers
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