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The young country movement was an industry-driven trend aimed at the mass market of teens and twenty-something music fans. Like the urban cowboys, young country artists often contemporized or diluted prevailing styles like honky-tonk and pop country for mass consumption. The early 1990s saw a continuation of the mid- and late-1980s neo-traditionalist movement and produced a glut of gifted young ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Vince Gill (b. 1957) broke out of a respected but static 10-year career as a bandmember and solo act and into country stardom with the 1990 hit ‘When I Call Your Name’. Gill was in the forefront of the neo-traditional country movement and became one of the biggest crossover singing stars in Nashville. It helped that he was an excellent country ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Blue-eyed soul and country guitarist and singer-songwriter Bonnie Raitt was born in Burbank, California in 1949, the daughter of Broadway vocalist John Raitt and pianist-singer Marge Goddard. At the age of eight, she was given a Stella guitar as a Christmas present, which her parents insisted she play at family gatherings. Raitt became a devotee of blues ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

AC/DC guitarist Angus Young – all five feet two inches of him – is a larger-than-life figure. Rising up from working-class Scottish roots to become the heart and soul of one of the greatest rock’n’roll bands of all time, Young, with his schoolboy outfit and Gibson SG in hand, has become the definitive rock-guitar icon. Born in Glasgow ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Hailed as one of hard rock’s greatest rhythm guitarists, Malcolm Young (b. 1953) was born in Glasgow, Scotland. When he was 10, the family emmigrated to Sydney, Australia, where Malcolm and younger brother Angus were taught to play guitar by elder sibling George, a member of The Easybeats. Malcolm founded AC/DC with Angus in 1973. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In his short life, California guitarist-mandolinist Clarence White (1944–73) conceived innovations that would inspire country and rock guitarists from both a stylistic and technical perspective long after his death. He brought bluegrass picking to the forefront of rock, turning acoustic guitar into a solo instrument. He developed a device for electric guitar that let traditional guitarists sound like pedal-steel ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Blind Lemon Jefferson (c. 1893–1929) opened up the market for blues records in 1926 when ‘Got The Blues’, backed with ‘Long Lonesome Blues’, became the biggest-selling record by a black male artist. It brought him the trappings of success, including a car and chauffeur, and he released nearly 100 songs over the next four years, before his death. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Canadian rock legend Neil Young (b. 1945) has become respected as much for his playing as for his composing and vocal work with his occasional partners Crosby, Stills & Nash. Born in Toronto, Canada, Young got a ukulele from his father for Christmas in 1958. In 1960, Young moved to Winnipeg with his mother. A poor student ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

It was in the rich cotton–producing Delta stretching from Mississippi to Tennessee that black labourers working the plantations gave ferment to an earthy style of music born out of African songs, chants, spirituals and gospel tunes that had been handed down for generations. They called it the blues. The man usually recognized as the first star of Delta country ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Country music has been euphemistically called ‘white man’s blues’ or ‘the poetry of the common man’. While both descriptions have elements of truth, neither is quite accurate. It is, in fact, a broad, nebulous, over-reaching category with no exact boundaries or parameters. Over the decades country music has grown to encompass a greatly varied assortment of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The myths, legends and lore of the Wild West, for better or worse, have done much to shape the American character. They have given rise to the nation’s lingering infatuation with guns, outlaws, the rugged ethos of self-reliance, individualism and a world with simplistic definitions. These themes, usually portrayed in an earnest and nostalgic ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Western swing is an innovative, free-wheeling yet complex instrumental amalgam drawn from blues, jazz and Dixieland syncopations and harmonies. Central to the style is an emphasis on instrumental solos, often involving the transposition of jazz-style horn parts to fiddle, guitar and steel guitar. It is indicative of western swing’s sophistication that Bob Wills’ Texas Playboys, the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Unlike practically any other strain of indigenous American music, bluegrass can be traced back to a particular time and a particular group of men: Kentucky-born mandolin player/bandleader Bill Monroe and a select handful of musicians he gathered in his band, The Bluegrass Boys. Monroe and the celebrated 1940s vintage line-up of The Bluegrass Boys first transformed traditional acoustic guitar-fiddle-bass-fiddle ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

At least until the 1930s and 1940s the dominant themes in country music were a celebration of bedrock rural values like family, faith, fidelity and the redeeming powers of true love and honest labour. The music served as much as anything to offer listeners comfort, reassurance and a soothing sense of place and identity. But as America’s national ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The names of this array of landmark artists whose music either straddled or transcended specific genres, – Johnny Cash, Dolly Parton, Tammy Wynette, Loretta Lynn, George Jones, Conway Twitty, Charley Pride and Buck Owens among others – have become synonymous with country music. During the 1950s, 1960s and 1970s, country’s popularity penetrated ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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