SEARCH RESULTS FOR: Alexis Korner
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(Guitar, vocals, 1928–84) The late ‘Godfather of British blues’ emerged from London’s traditional jazz scene to found Blues Incorporated in 1962. Among those passing through the ranks of this loose if inspirational amalgam were subsequent members of The Rolling Stones, Cream and Led Zeppelin. In the late 1960s, Korner too made the charts as singer with CCS ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1962–67) Alexis Korner (guitar, piano, vocals), born in Paris, France in 1928, was considered to be the father of electric British blues. When he and Cyril Davies (harmonica, vocals) formed Blues Incorporated in 1962 with Dick Heckstall-Smith (saxophone), Andy Hoogenboom (bass), Ken Scott (piano) and Charlie Watts (drums), their amplified line-up met with ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The first and arguably most famous of hard rock’s much touted ‘supergroups’, Cream comprised Eric Clapton (born Eric Patrick Clapp, 30 March 1945) on guitar/vocals, Jack Bruce (born 14 May 1943) on bass/harmonica/keyboards/vocals and Ginger Baker (born Peter Edward Baker, 19 August 1939) on drums, a trio who achieved lasting fame courtesy of their technically virtuosic, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal group, 1952–88) One of many 1950s doo-wop groups scraping a reputation on the R&B circuit, Gladys Knight and The Pips (brother Merald and cousins William Guest and Edward Patten) only came to mainstream attention on signing with Motown in 1966, where they had minor hits and the 1967 million-seller original of ‘I Heard It Through The Grapevine’. ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

John McLaughlin (b. 1942) led the Mahavishnu Orchestra and a series of other bands that stretched the boundaries of jazz-rock fusion and world music, as he inspired guitarists worldwide with his inventiveness and devotion to exotic sounds and spirituality. McLaughlin started on guitar when he was 11 and was initially inspired by blues and swing players. McLaughlin worked with Alexis ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Veteran Rolling Stones guitarist Keith Richards (b. 1943) was born in Dartford, Kent. After being expelled from technical school in 1958, Richards attended Sidcup Art College. The art-school environment was crucial to Richards’ development, as it was for many of his generation. Here he was able to nurture his passion for rhythm and blues, finding many fellow ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Muddy Waters was without question the creator of the Chicago blues sound, the most important figure in post-war blues and the greatest influence on the British blues movement that followed. The Rolling Stones even went as far as to name themselves after a Muddy song. Muddy’s music blended the downhome essence of Mississippi Delta blues with the sophistication of Chicago’s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Blues and hard-rock guitarist Paul Kossoff, son of British actor David Kossoff, was born in Hampstead, London in 1950. He studied classical guitar as a child, but had given it up by his early teens. Inspired by John Mayall’s Bluesbreakers, featuring Eric Clapton, he resumed playing and teamed up with drummer Simon Kirke in the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Saxophones, clarinet, flute, various invented instruments, 1936–77) Reeds player Rahsaan Roland Kirk was one of jazz’s most colourful figures, an eccentric who developed a method for playing two or three horns simultaneously. Accidentally blinded at the age of two, Kirk taught himself to play several instruments. At 15 he joined an R&B band, and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

While blues music has produced dozens of great, innovative musicians, vocalists and songwriters, the continuing influence of Robert Johnson over the years has shown that no other performer has succeeded in combining all the elements in quite the exceptional way that he did. The fascination that Johnson holds for so many people lies not only in his extraordinary ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

In its classic line-up, featuring singer-songwriter Mick Jagger (born 26 July 1943), guitarist/songwriter Keith Richards (born 18 December 1943), guitarist/multi-instrumentalist Brian Jones (1942–69), bass player Bill Wyman (born William Perks, 24 October 1936) and drummer Charlie Watts (born 2 July 1941), what came to be acclaimed and self-proclaimed as ‘The World’s Greatest Rock’n’Roll Band’ first achieved success and notoriety ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

British blues was born when British musicians attempted to emulate Mississippi and Chicago bluesmen during the 1960s. Led by Eric Clapton and The Rolling Stones, these musicians copied the styles of Big Bill Broonzy, Muddy Waters, Howlin’ Wolf and B.B. King, and, aided by powerful amplifiers, developed a sound of their own. In the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Chicago blues is a raw, rough-and-tumble music, defined by slashing, Delta-rooted electric slide guitars, raunchy-toned harmonicas overblown into handheld microphones to the point of distortion, uptempo shuffled rummers, insistently walking bass players and declamatory, soulful vocalists who imbued the tunes with Southern gospel fervour. It became a universally recognized sound by the 1960s, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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