(Founder, Motown Records, b. 1929) Gordy co-wrote Jackie Wilson’s ‘Reet Petite’ in 1957 while working on Detroit’s Ford assembly line and started Motown in 1959 with an $800 loan, creating a factory-like hit-making process. Gordy scouted talented Detroit performers and matched them to equally talented in-house writers and producers. He fostered a family atmosphere of (mostly) friendly rivalry ...
One of the founding fathers of rock’n’roll, Charles Edward (Chuck) Berry was born in 1926 in St Louis, Missouri, to a middle-class family. His interest in the blues began in high school, where he gave his first public performance. In 1944, he was convicted of armed robbery and sentenced to three years in an Intermediate Reformatory ...
(Tenor saxophone, 1908–41) Inspired by Coleman Hawkins’ big sound, Leon ‘Chu’ Berry honed a more rapid, streamlined tenor attack. He recorded with Benny Carter in 1933 and joined Fletcher Henderson three years later. In 1937 he topped Down Beat’s first national poll of leading musicians and joined Cab Calloway’s orchestra, where he remained until his death. Berry ...
Charles Edward Anderson Berry, known to all as Chuck, was born in St Louis, Missouri, on 18 October 1926, at the family’s home in Goode Avenue. The local gospel choir used it for their rehearsals and there was a well-employed piano in situ. Berry began learning the guitar in his mid-teens. At 17 he was involved ...
(Vocal/instrumental group, 1959–present) In 1963, this Liverpool act’s first three singles – ‘How Do You Do It’, ‘I Like It’ and ‘You’ll Never Walk Alone’ – all reached the top in Britain, a hitherto unmatched feat. Self-composed ‘I’m The One’ almost made it four in a row but times got harder after ‘Don’t Let The Sun Catch You ...
(Songwriting and production team, 1961–75) Lamont Dozier and brothers Eddie and Brian Holland were all minor Detroit singers when Motown’s Berry Gordy combined their talents and redirected them towards songwriting and production. Their output defined the label’s sound with a pop-savvy mix of gospel, soul and refined R&B. They wrote over 50 Motown classics, performed by almost every ...
(Singer-songwriter 1934–84) Detroit-born Jackie Wilson, an ex-amateur boxer, sang with gospel groups before replacing Clyde McPhatter in Billy Ward and The Dominoes in 1953. His first solo success came with 1957’s UK and US hit, Reet Petite’, co-written by Berry Gordy Jr., who went on to found Motown Records. His first US Top 40 hit was 1958’s ...
(Vocals, 1934–84) With his powerful high vocal range, Jackie Wilson was among the earliest singers to make the transition from R&B to soul. His first single, 1957’s ‘Reet Petite’, was the start of a winning partnership with its writer, young Berry Gordy (although Wilson never recorded for Gordy’s Motown label). ‘Reet Petite’ was actually more successful in ...
(Vocals, 1939–84) Gaye was a soul giant whose career spanned his genre’s transition from pop entertainment to social conscience and personal exploration. He signed with Berry Gordy’s Motown label in 1961, where his recordings revealed a strong tenor voice with a huge span – three octaves – on songs ranging from R&B mod anthem ‘Can I Get A Witness’ ...
Born Steveland Judkins on 13 May 1950 and blind virtually from birth, the future Little Stevie Wonder was already singing in his local choir at the age of four. By the time he was seven he had mastered the piano, harmonica and drums. In 1961, Ronnie White of The Miracles introduced the child prodigy to the label’s founder ...
(Vocal group, 1961–71) One of Motown’s first successful vocal groups comprised Gladys Horton, Georgeanna Tillman, Wanda Young, Katherine Anderson and Juanita Cowart (left 1962). Their first release, ‘Please Mr Postman’ (later covered by The Carpenters) was the label’s first US pop No. 1 in 1961. It led to a run of nearly 30 pop and R&B ...
Groups of fresh-faced young men singing catchy tunes have been one of the mainstays of commercial pop since The Beatles. In the last two decades, manufactured boy bands such as New Kids On The Block and Take That have ruled the roost. Although their musical legacy bears no comparison to that of The Fab Four’s, the devotion they inspired ...
The story of soul’s Golden Age is linked with the story of two American record labels: Berry Gordy’s Motown and Jim Stewart & Estelle Axton’s Stax. They discovered artists, wrote songs and developed recording and marketing methods that would irrevocably change popular music, and have a profound effect on the perception of race all over world. Motown’s base in ...
Popular music’s most influential decade saw British and American rock develop in parallel, the creative torch passing across the Atlantic to The Beatles, then returning as the West Coast rock boom reflected the influence of drugs on music. In rock, guitar was now the undisputed focus of the music with ‘axe heroes’ like Clapton, Hendrix, Townshend ...
The impact of rap on the rock market was everywhere to be seen in the first years of the new millennium. White artists, black artists and rock bands attempting to incorporate the style made this area the biggest musical melting pot since the 1950s. The means by which music was accessed switched from CD to downloading from the internet, ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.