(Vocals, guitar, 1901–59) A skilled purveyor of the ragtime-influenced Piedmont fingerpicking style, Atlanta-based Blind Willie McTell incorporated pop songs and novelty numbers, as well as blues, into his repertoire – befitting an entertainer who got his start in tent shows, medicine shows and carnivals. His voice was unusually tender and expressive for a musician who ...
Blind Lemon Jefferson (c. 1893–1929) opened up the market for blues records in 1926 when ‘Got The Blues’, backed with ‘Long Lonesome Blues’, became the biggest-selling record by a black male artist. It brought him the trappings of success, including a car and chauffeur, and he released nearly 100 songs over the next four years, before his death. ...
Although he is often cited as the first ‘folk’ bluesman to record, Blind Lemon Jefferson was actually much more than that: he was America’s first male blues pop star. On the strength of his recordings for the Paramount label – some of which are said to have sold upwards of 100,000 copies – Jefferson became a celebrity throughout the ...
(Vocals, guitar, c. early 1890s–c. 1933) Among the most influential instrumentalists in the blues, Blind Blake remains a mystery man in terms of his personal life. Born either Arthur Blake or Arthur Phelps, probably in Florida (Jacksonville or Tampa), he purveyed a ragtime-influenced, polyrhythmic picking technique that combined jaw-dropping technical virtuosity with an impeccably crafted symmetry. ...
(Vocals, guitar, c. 1902–47) Texas-born Willie Johnson, a purveyor of sacred material who would probably have been appalled at being categorized as a ‘blues’ artist, was blinded at the age of seven when his stepmother threw lye in his face after being beaten by his father. He sang in a hoarse, declamatory voice and his fretwork ...
(Vocals, guitar, 1899–1947) A resident of Brownsville, Tennessee, Willie Newbern had only one recording session, for OKeh in Atlanta in 1929. Although he was not widely known outside his area, he influenced quite a few musicians: he recorded the first known version of ‘Roll And Tumble Blues’ and is said to have taught it to ...
(Guitar, vocals, 1900–52) An associate of Charley Patton, Brown was a part of the Mississippi blues scene in the early 1920s. While he started out playing with Patton and Tommy Johnson, he teamed up with Son House in 1926 and accompanied his Paramount session in May 1930, also cutting four songs of his own. Brown played ...
(Guitar, vocals, 1908–41) Fuller was born Fulton Allen in Wadesboro, North Carolina and was one of 10 children. He learned to play guitar as a teenager and by the mid-1920s was working for tips around Rockingham, North Carolina. He had lost his sight by 1928. He teamed up with artists such as Gary Davis, Bull City ...
(Piano, 1897–1973) In the 1920s Willie ‘The Lion’ Smith was an obscure master of Harlem stride (a virtuoso style that evolved out of ragtime after 1919) whose brilliant technique influenced countless young pianists who heard him in person. His legend began to emerge in 1935 as stride was fading into nostalgia and he started to record regularly. For the next ...
(Bass, vocals, songwriter, 1915–92) Willie James Dixon was born in Vicksburg, Mississippi and moved to Chicago at the age of 11. He learned bass and made his recording debut with the Five Breezes in 1940. After the Second World War he formed the Big Three trio, with whom he worked and recorded until 1952. He began ...
(Vocals, songwriter, 1885–1957) The Rev. Andrew Jenkins, a blind Georgia minister, made numerous records in the 1920s, both solo and with family members, but his importance lies chiefly in his huge folio of songs, particularly topical pieces like ‘The Death Of Floyd Collins’ and ‘Ben Dewberry’s Final Run’ (recorded by Jimmie Rodgers), and gospel ...
(Vocals, fiddle, 1880–1956) Reed, a singer and fiddler from Princeton, West Virginia, made his living playing at dances and church meetings and giving music lessons. Recording in the late 1920s, he observed contemporary life in songs like ‘How Can A Poor Man Stand Such Times And Live ?’– a catalogue of the ills that afflicted ...
A few days after Christmas, 1969, Willie Nelson (b. 1933) watched his house outside Nashville burn to the ground. Going up in flames were not only his furniture, guitars and only copies of unpublished songs – but also some of his ties to Music Row. A New Beginning Nelson had begun the decade as one of the hottest ...
(Vocals, 1937–68) Arkansas-born William Edgar John, who moved to Detroit as a child, was signed to King Records from 1955. A string of US R&B Top 20 hits followed, several of which crossed over to the US pop chart. He is said to have influenced many major soul singers of the 1960s, and his best-known hits ...
(Vocal/instrumental group, 1969) Billed as ‘the supergroup of all times’, Steve Winwood (keyboards, vocals), Eric Clapton (guitar), Rick Grech (bass) and Ginger Baker (drums) were an amalgam of ex-members of Cream, Traffic and Family. Launched with a free concert in London’s Hyde Park, they broke up after a troubled US tour. Winwood then reformed a Traffic that ...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
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