SEARCH RESULTS FOR: Dave Matthews Band
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(Vocal/instrumental group, 1991–present) South African-born Matthews (guitar, vocals) formed his band in Virginia, recruiting Stefan Lessard (bass), Leroi Moore (saxophone), Boyd Tinsley (violin) and Carter Beauford (drums) into the ranks. Fusing elements of world music into a sound that celebrated folk, funk and rock in equal parts, they built an audience by undertaking constant touring, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Davey Graham (b. 1940) (originally Davy Graham) is a guitarist who is credited with sparking the folk-rock revolution in the UK in the Sixties. He inspired many of the famous fingerstyle guitarists, such as Bert Jansch, John Renbourn, Martin Carthy, Paul Simon and even Jimmy Page, who heavily based his solo ‘White Summer’ on Graham’s ‘She ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Trailblazing Kinks lead guitarist Dave Davies was born in Muswell Hill, London in 1947. The Davies were a close-knit, musical family and Dave acquired his first guitar, a Harmony Meteor, at the age of 11. He taught himself to play, citing blues pioneer Big Bill Broonzy as his earliest influence. Other inspirations were James Burton, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

More than any other hard-rock or heavy-metal duo, Iron Maiden guitarists Adrian Smith and Dave Murray (b. 1956) set the standard for twin-guitar harmony lines and riffs. Indeed, their killer riffs and epic songs have helped to make Iron Maiden one of the most influential metal bands of all time. Murray was born in Edmonton, England. Inspired by ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Dave Mustaine (b. 1961) was the original lead guitarist for the heavy-metal band Metallica and the co-founder, lead guitarist and lead singer of the thrash-metal band Megadeth. He was born in La Mesa, California. Brought up as a Jehovah’s Witness, by the age of 17, he was surviving financially by dealing drugs. In the 1970s, Mustaine ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Davey Johnstone (b. 1951) rocketed to fame with the Rocket Man himself, Elton John, as the former Reg Dwight exploded on to the music scene in the early 1970s, rising from thoughtful love balladeer to raucous glam rocker/showman to international pop-music institution and legend. Except for a short period from the late 1970s to the early 1980s, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative-rock guitarist Dave Navarro (b. 1967) was born in Santa Monica, California. After hearing Jimi Hendrix, Navarro began playing guitar at the age of seven and was in various bands in school. In 1986, he joined Jane’s Addiction on the recommendation of drummer Stephen Perkins, a childhood friend. Inspired by The Velvet Underground, Joy Division, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Groups of fresh-faced young men singing catchy tunes have been one of the mainstays of commercial pop since The Beatles. In the last two decades, manufactured boy bands such as New Kids On The Block and Take That have ruled the roost. Although their musical legacy bears no comparison to that of The Fab Four’s, the devotion they inspired ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

When The Grateful Dead started attracting a large fan following on the Bay Area concert scene during the late-1960s, courtesy of free-form jams that showcased the band’s fusion of folk, rock, country and blues, it signalled that rock’n’roll was latching onto a tradition of improvization that had long been prevalent in other forms of Western music. This ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The classical period saw the rise of the ‘Harmonie’, a small wind band of up to a dozen instruments. Usually this consisted of a mixture of brass and reeds, such as horns, clarinets, oboes and bassoons: Beethoven’s octet op. 103 (1792) is written for two of each of these (the 1796 op. 71 sextet leaves out the oboes). ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

While in the US and several European countries there is a tradition of mixed wind bands, Britain developed bands made up of brass instruments with saxophone and percussion. The repertory of such ensembles tended to be arrangements of dance music, opera overtures and marches. (Twentieth-century British composers have pioneered original music for brass band.) The brass band developed ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The music of Latin America combines influences from the traditional music of the African slaves transported between 1450 and the end of the nineteenth century, music from the Spanish and Portuguese colonial powers, and latterly, pop and jazz from North America. Samba is an umbrella term describing an energetic style of dancing and drumming performed at the annual ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

(Instrumental group, 1900–17) The Eagle Band, originally led by Buddy Bolden, was an extremely popular and influential New Orleans ensemble. Frankie Duson (or Dusen) (1880–1940), a powerful tailgate trombonist, joined the band in 1906 and went on to take over the band when Bolden suffered a mental collapse the following year. Subsequently, Duson employed various Bolden ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Instrumental group, 1917–25) The Original Dixieland Jass Band were five young white musicians from working-class uptown New Orleans – Nick LaRocca (cornet), Larry Shields (clarinet), Eddie Edwards (trombone), Tony Spargo (real name Sbarbaro, drums) and Henry Ragas (piano). All alumni of ‘Papa’ Jack Laine’s stable of bands, they went to Chicago and then to New York, where ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, piano, c. 1894–1955) Charles Davenport’s best-known recording is 1928’s ‘Cow Cow Blues’, a barrelhouse workout that kicks off with a chiming stop-time intro before plunging into a proto-boogie-woogie theme. Davenport recorded over 30 sides for various labels, and he worked in venues ranging from vaudeville theatres to house rent parties. Although slowed by a stroke in 1938 ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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