SEARCH RESULTS FOR: King Oliver
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One of the cornet kings of early New Orleans – along with Buddy Bolden, Freddie Keppard and Bunk Johnson – Joseph ‘KingOliver helped to define the bravura spirit of hot jazz through his work in Chicago during the 1920s with his Creole Jazz Band. He is said to have earned the sobriquet ‘King’ by besting Keppard in a cutting ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Spanish guitar legend Carlos Montoya (1903–93) helped propel the flamenco style of music from accompaniment for gypsy folk dances and songs to a serious and internationally popular form of guitar music. Montoya was born into a gypsy family in Spain. He studied guitar with his mother and a local barber, eventually learning from professionals and becoming an expert on the ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Davey Graham (b. 1940) (originally Davy Graham) is a guitarist who is credited with sparking the folk-rock revolution in the UK in the Sixties. He inspired many of the famous fingerstyle guitarists, such as Bert Jansch, John Renbourn, Martin Carthy, Paul Simon and even Jimmy Page, who heavily based his solo ‘White Summer’ on Graham’s ‘She ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Queen guitarist Brian May is among the most recognizable players in the world. His distinctive tones, created by the home-made guitar he built when he was 16 and has used throughout his career, are integral to the sound of Queen. Many of the sounds he produced were so innovative that the first seven Queen albums pointedly stated that no ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Blues-rock guitarist Mick Taylor was born in Hatfield, Hertfordshire in 1949. A guitarist from the age of nine, he was in his teens when he formed a group with some school friends that subsequently evolved into the Gods. Taylor made two singles with the band. When Eric Clapton failed to turn up for a Bluesbreakers gig in Welwyn Garden ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Rock’n’roll pioneer Ike Turner was born in Clarksdale, Mississippi in November 1931. He displayed an early interest in music while working for a local radio station. He was taught to play boogie-woogie piano by one of his idols, blues musician Pinetop Perkins. Inspired by other bluesmen like Howlin’ Wolf, Sonny Boy Williamson II, Muddy Waters and Elmore ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Lita Rossana Ford (b. 1958) was born in London. After her family settled in Los Angeles in the 1960s, she took up guitar at the age of 11, inspired by Deep Purple’s Ritchie Blackmore. When she was 16, she met novelty-music producer Kim Fowley, who helped recruit her, along with Joan Jett, Sandy West, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In the 25 years before cancer ended his life at the age of 46, Mick Ronson (1946–93) became a guitar icon through his seminal work as part of David Bowie’s Spiders From Mars band, work that would lead to production and performance assignments with artists such as Ian Hunter, Lou Reed and Morrissey, as well as American ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Progressive-rock pioneers King Crimson have seen a revolving door of band members through its almost 40-year existence, including such highly respected musicians as bassists Greg Lake, John Wetton and Tony Levin, drummer Bill Bruford and guitarist Adrian Belew. But one figure has remained steadfast, and that is guitarist Robert Fripp (b. 1946). Born in Wimborne Minster, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Few blues guitarists had more style and presence than Albert King (1923–92). At 6ft 4in (1.93m) and 250lbs (113kg), he cut an imposing figure onstage. Equally distinctive was his Gibson Flying V guitar, a right-handed instrument that King played left-handed and upside down. This gave him an unusual, tormented sound when he bent the strings on his fretboard. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The bluesman who took the blues into the mainstream, B.B. King (b. 1925) is also its ambassador to the world. His solid, seasoned style is heard internationally. King’s style draws on the Mississippi blues of Elmore James and Muddy Waters, the Chicago blues of Buddy Guy and Magic Sam, and the West-Coast blues of T-Bone Walker ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Freddie (sometimes spelled Freddy) King (1934–76) revitalized the Chicago blues scene in the 1960s. His aggressive playing and piercing solos helped to set up the blues-rock movement, and he was a major influence on 1960s British guitarists like Eric Clapton, Peter Green and Mick Taylor. King’s mother taught him to play guitar as a child in Gilmer, Texas ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Having previously declared that he would never record outside Tin Machine, Bowie proceeded to renege on both this and, in time, his assertion that he would not play his old hits for live audiences. Nobody seemed inclined to sue him for breach of promise. The fact that he once again engaged the production services of Nile Rodgers hardly ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

In the early Baroque bow, the horsehair (which strokes the string and produces the sound) was fastened at the hand end, known as the ‘heel’, by an immovable ‘nut’ or ‘frog’, a kind of clip. During the seventeenth century, makers developed a frog in which the mechanism for attaching the horse hair could be released and then clipped ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

At the beginning of the nineteenth century flutes were made of a wide range of materials. Boxwood instruments were still being made, as they had been in the Baroque era. Increased contact with Africa meant that ebony was also used. Ivory continued to be favoured, but also cocus wood. Brass, silver and pewter were all used for keywork. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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