SEARCH RESULTS FOR: Kris Kristofferson
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(Vocals, guitar, b. 1936) Kristofferson grew up on country music in Texas, but college in California, a Rhodes scholarship to England and service as an army helicopter pilot convinced him that the times demanded a new kind of country lyric – one that owed as much to Bob Dylan as to Hank Williams. Kristofferson moved to Nashville ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, b. 1939) Shaver arrived in Nashville in 1968, sold songs to Kris Kristofferson and Tom T. Hall, and wrote all but one song on Waylon Jennings’ 1973 album Honky Tonk Heroes. That led to Shaver’s own debut later the same year with Old Five And Dimers Like Me. Shaver had his songs recorded by Elvis ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, songwriter, b. 1968) Gina Jeffreys has been recognized as Australia’s premier female country act since her first hit single, ‘Two Stars Fell’ (1993). She started playing guitar at the age of 12 and at 15 was playing with the band ONYX. CMA Female Vocalist Of The Year in 1994 – when she toured with Johnny Cash and ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, b. 1946) Prine was a Chicago mailman when Kris Kristofferson stumbled across him at a local folk club and recognized him as one of the best lyricists of his generation. A very different lyricist than Bob Dylan, Prine used the unspoken implications of plain, blue-collar speech rather than the dazzle of literary language to make ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

One of the most revered figures in modern country music, Johnny Cash’s vast, half-century-long body of work as both a songwriter and singer encompasses an extensive tapestry of musical Americana – everything from prison songs and railroad ballads, to folk-style broadsides and even clever novelty tunes like ‘A Boy Named Sue’. As a singer, he immortalized a ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Songwriter, vocals, 1940–2002) Houston, Texas-born Milton Sim Newbury Jr. was a contemporary of Kris Kristofferson; and, like Kristofferson, he greatly expanded the thematic and emotional parameters of country songwriting in the late 1960s and the 1970s with his intensely introspective songs. ‘Sweet Memories’ (recorded by Willie Nelson, among others) and ‘American Trilogy’ (popularized by Elvis ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Guitar, vocals, b. 1938) Blake grew up as a traditional bluegrass musician in Georgia, but in 1963 he moved to Nashville, where he joined The Johnny Cash Show and recorded with Bob Dylan and Kris Kristofferson. His combination of virtuoso skills, a traditional background and collaborations with innovators led to dozens of albums under his own ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, 1943–2005) Sammi Smith will forever be remembered for her 1971 chart-topping version of Kris Kristofferson’s ‘Help Me Make It Through The Night’, which also made the US pop Top 10. Her one and only No. 1 highlighted her worth as a song interpreter, and choice covers of Steve Goodman’s ‘City Of New Orleans’ (1973) ‘Today I Started Loving ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1932–99) Silverstein had just the right irreverent, satirical edge that the Outlaws movement was looking for, thanks to his background as a successful cartoonist for Playboy and a semi-successful folk singer. He wrote the comic fable ‘A Boy Named Sue’ for Johnny Cash (1969), the voodoo tale ‘Marie Laveau’ for Bobby Bare (1974), the ladies-man ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Waylon Jennings (vocals, guitar, 1937–2002) was a teenage disc jockey in Lubbock, Texas, when he first met the hometown hero Buddy Holly (1936–59). Holly produced Jennings’ first single, ‘Jole Blon’, in September 1958, and hired Jennings as his bassist the following January. On 3 February 1959, Jennings was all set to take a charter ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

A few days after Christmas, 1969, Willie Nelson (b. 1933) watched his house outside Nashville burn to the ground. Going up in flames were not only his furniture, guitars and only copies of unpublished songs – but also some of his ties to Music Row. A New Beginning Nelson had begun the decade as one of the hottest ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The names of this array of landmark artists whose music either straddled or transcended specific genres, – Johnny Cash, Dolly Parton, Tammy Wynette, Loretta Lynn, George Jones, Conway Twitty, Charley Pride and Buck Owens among others – have become synonymous with country music. During the 1950s, 1960s and 1970s, country’s popularity penetrated ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

By the late-1960s, the Nashville music industry had grown slick, complacent and predictable, even as the greater national culture, in the shadow of the Vietnam War, was entering an era of tumult and rebellion. Largely as a result of this, the outlaw movement arose. It began as a rudimentary grassroots uprising, instigated by a ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Although the 1960s Golden Age established soul as the foundation of Afro-American pop, the 1970s and 1980s saw soul’s supremacy challenged and ultimately ended by, in turn, funk, disco, electro, dance-rock, hip hop and house. In hindsight, the soul music of the 1980s went into a form of stasis, waiting for a ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

When Steve Earle (b. 1955) was released from prison on 16 November 1994, it had been four years since he had released a studio album and three years since he’d done a tour. During that time lost to heroin and crack, much had changed in the world of country music. The charismatic but mainstream-pop-oriented Garth Brooks (b. 1962) was ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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