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time Huddie acquired his 12-string guitar. Ledbetter and Jefferson worked together over the next three years and Ledbetter absorbed much from the younger man, including his slide guitar technique. Leadbelly Serves Time In December 1917, Ledbetter killed his cousin’s husband, for which he was convicted and received a sentence of seven to 30 years in jail. He served ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

It was Louis Armstrong (or Leadbelly, depending on whom you believe) who came up with the famous final word on the definition of folk music: ‘It’s ALL folk music … I ain’t never heard no horse sing.…’ The quote has been repeated ad nauseam throughout the years, but it has not prevented strenuous debate about the meaning of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

as cotton-field songs. He developed a fast, complex guitar technique that, unlike that of most blues legends, has never been duplicated. He was a direct influence on Leadbelly, Lightnin’ Hopkins and T-Bone Walker, all of whom played and travelled with him. The full range of his shifting rhythms, boogie-woogie bass runs and rippling tremolos can ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

lined Deep Ellum, the wide-open entertainment district that ran along Elm Street in the city’s African-American quarter. He teamed up with Huddie ‘Leadbelly’ Ledbetter for a while, before Leadbelly went to prison in 1918. In 1925, someone – possibly pianist Sammy Price – recommended him to a Paramount Records talent scout. For Paramount, Jefferson recorded approximately 100 ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

O’Day. Krupa scaled back to a trio in 1951 and worked in that format for the next 20 years. Styles & Forms | Thirties | Jazz & Blues Personalities | Leadbelly | Thirties | Jazz & Blues ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Folklorists, John Avery Lomax 1867–1948; Alan Lomax 1915–2002) John Lomax was born in Goodman, Mississippi and raised near Fort Worth, Texas. Although his initial interest lay in cowboy songs, a pre-teen friendship with a servant named Nat Blythe sparked an interest in black music. With the 1910 publication of Cowboy Songs And Other Frontier Ballads, his ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

session, he recorded a couple of tracks for the Barber band’s Decca debut album, New Orleans Joys, with Beryl Bryden on washboard. ‘Rock Island Line’, an old Leadbelly number, and ‘John Henry’ a traditional Afro-American ballad, were released as a single in late 1955, and went to No. 8 in the UK, and to ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

later output was more sporadic, but he remained a hugely popular live attraction and toured constantly. His formative influences were Lonnie Donegan, Chuck Berry, Muddy Waters, Leadbelly and Woody Guthrie. In turn, he influenced many other guitarists, including Johnny Marr, Slash, Glenn Tipton, The Edge and Brian May. Gallagher was closely identified ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

on McGhee’s recording of ‘The Death Of Blind Boy Fuller’ in 1941 – the first time they recorded together. The pair worked in New York with Champion Jack Dupree, Leadbelly and others on the folk-blues circuit of the 1940s, and Terry appeared in the Broadway show Finian’s Rainbow during 1946–47. The Terry-McGhee team made dozens of duo albums from ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental duo, 1997–2011) Divorcées Jack (vocals, guitar) and Meg White (percussion) formed The White Stripes with the mission statement of keeping a childlike simplicity in their music and imagery. Dressing only in red, white and black and playing a thrilling version of blues and rock (owing as much to Led Zeppelin as pioneers like Son House and Leadbelly), ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Folk pop is often looked down on by connoisseurs of the music who believe that in its purest form it should have nothing in common with the charts and the commercial world. Yet folk has punctured the mainstream more often than most would imagine, and in many ways its popularity has been reliant on those who’ve broadened the market by ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

arguing and talking.’ Ewan MacColl Leading Exponents Hamish Henderson Ewan MacColl Peggy Seeger Pete Seeger Martin Carthy Woody Guthrie Billy Bragg Bob Dylan Christy Moore Dick Gaughan Paul Simon Leadbelly Nic Jones Folk Song Style A style which very much uses simple melody and structure, with usually guitar accompaniment and simple key structure and chord sequence. As with many ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

the people. Guthrie adapted many of his songs from existing country blues, itself a fiery conduit of protest, and became close friends with the great blues star Leadbelly. Leadbelly himself wrote a catalogue of protest songs that have long passed into folk legend, such as ‘Midnight Special’, ‘Scottsboro Boys’ and ‘Bourgeois Blues’, all confronting the realities of racism ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A cheap acoustic guitar, a washboard, some thimbles, a tea chest, a broom handle and a length of string, together with a modicum of musical talent – these were all that was required for skiffle, an amalgam of American jazz, blues and folk that caught on with Britain’s largely cash-strapped teenagers in 1956 and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Mention of the folk revival is generally applied to the late-1950s and early 1960s, when a new generation of enthusiasts earnestly set about exploring the history of folk music and recreating its passionate, social ideals. There had been other folk revivals throughout history, but they tended to stem from the middle classes in search of a purer identity ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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