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(Piano, guitar, b. 1913) Belzoni, Mississippi’s Perkins performed throughout the Delta until 1949, when he relocated to Chicago to play with Robert Nighthawk and Earl Hooker through the 1950s. In 1969 he replaced Otis Spann in Muddy Waters’ band. Perkins stayed until 1980, when he, Calvin Jones (bass), Jerry Portnoy (harmonica) and Willie Smith (drums) ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

For a brief period in early 1956, Carl Perkins was the first singer to take a pure rockabilly record – his self-penned ‘Blue Suede Shoes’ – to the summit of the best-selling charts in the USA. He beat Elvis to the top, but was never a realistic candidate to sustain this early promise because he lacked Presley’s film-star looks ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Guitar, vocals, 1932–88) Tennessee-born Perkins was a rockabilly pioneer. Signed to Sun Records in 1955, he is most famous for 1956’s US country chart-topper/US pop Top 3/UK Top 10 ‘Blue Suede Shoes’. On his way to New York for a TV appearance, Perkins was involved in a serious car crash, and a 1956 Elvis Presley cover ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Rock’n’roll pioneer Ike Turner was born in Clarksdale, Mississippi in November 1931. He displayed an early interest in music while working for a local radio station. He was taught to play boogie-woogie piano by one of his idols, blues musician Pinetop Perkins. Inspired by other bluesmen like Howlin’ Wolf, Sonny Boy Williamson II, Muddy Waters and Elmore ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Guitar, 1929–94) Although drug addiction nearly killed the promising career of Joe Pass, he became one of the most influential and beloved guitarists in jazz. As a young man Pass played with various swing bands, then fell into heroin abuse while in the military. He recorded his first album while in rehabilitation in 1962, showcasing his impressive ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Muddy Waters was without question the creator of the Chicago blues sound, the most important figure in post-war blues and the greatest influence on the British blues movement that followed. The Rolling Stones even went as far as to name themselves after a Muddy song. Muddy’s music blended the downhome essence of Mississippi Delta blues with the sophistication of Chicago’s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Chicago blues is a raw, rough-and-tumble music, defined by slashing, Delta-rooted electric slide guitars, raunchy-toned harmonicas overblown into handheld microphones to the point of distortion, uptempo shuffled rummers, insistently walking bass players and declamatory, soulful vocalists who imbued the tunes with Southern gospel fervour. It became a universally recognized sound by the 1960s, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Of the entire century, the 1970s were the years of catching one’s breath. Superficially, the promise of the 1960s had faded or failed, the victim of wretched excess and just plain bad taste. America’s war in Vietnam sputtered to an end, international relations elsewhere seemed to stalemate in détente and economically the world suffered from stagflation: exhaustion ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The legend of Sun Records seems to expand and shine brighter with every passing year, as successive generations discover the almost unbelievable array of musical gems that were created at that modest little studio at 706 Union Avenue, Memphis. Sun was the brainchild of one man and it is no exaggeration to say that without his contribution, not ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The 1950s was a period of enormous upheaval and social change, as the world slowly recovered from the deprivations of the Second World War. Changes were apparent in every aspect of life, but perhaps the greatest was the rise of the ‘teenager’ as a distinct socio-economic class. For the first time, young people had money in their pockets ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Blind Lemon Jefferson (c. 1893–1929) opened up the market for blues records in 1926 when ‘Got The Blues’, backed with ‘Long Lonesome Blues’, became the biggest-selling record by a black male artist. It brought him the trappings of success, including a car and chauffeur, and he released nearly 100 songs over the next four years, before his death. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative-rock guitarist Dave Navarro (b. 1967) was born in Santa Monica, California. After hearing Jimi Hendrix, Navarro began playing guitar at the age of seven and was in various bands in school. In 1986, he joined Jane’s Addiction on the recommendation of drummer Stephen Perkins, a childhood friend. Inspired by The Velvet Underground, Joy Division, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Elvis Presley was the most important figure in popular music during the twentieth century. His influence was enormous, and remains so, nearly 30 years after his death. The recordings that he made during the first few years of his career inspired a whole generation and the initial impact of a country boy singing black R&B changed forever the strictly ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Pigeonholed as the ‘quiet one’, misunderstood as an adopter of Eastern religion and music, and overshadowed (sometimes maligned) by his prolific, trail-blazing bandmates Lennon and McCartney, George Harrison (1943–2001) might have become a footnote in musical history. But as a member of The Beatles, Harrison made the words ‘lead guitar’ a household term and steadily developed as ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1985–91, 1997, 2001–04, 2008–present) The charismatic Perry Farrell formed Jane’s Addiction in Los Angeles in 1985, Dave Navarro (guitar), Eric Avery (bass) and Stephen Perkins (drums) completing the line-up. Musically the band compacted punk, rock and elements of funk and jazz best showcased on Ritual De Lo Habitual (1991). Although Farrell instigated the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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