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Although his band of high-school buddies achieved international fame under the name Toto, Steve Lukather (b. 1957), session guitarist extraordinaire, has had to struggle under the same suspicion under which his bandmates have toiled: that the whole may add up to less than the sum of its parts. For Toto, despite achieving worldwide fame with singles like ‘Rosanna’ ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Proto-punk bands, like all ‘proto’ genres, are by definition only identified retrospectively and generally share subversive and anti-establishment attitudes. Although punk rock was primarily a British phenomenon, there were several notable American punk bands and its musical roots lie more with these American bands than with British bands. The energy of pub rockers like Dr. Feelgood and Eddie ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Punk exploded on to the stagnant British music scene in the mid-1970s with short, fast songs, played with maximum energy and often fuelled by angry lyrics. A musical and social phenomenon, punk was a reaction to the indulgence of glam rock bands, and the perceived elitism of the often highly musically proficient musicians who played in the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Like the majority of their British counterparts, the original American punks had been making music for years before they began to receive acknowledgement in late-1975. In common with the Brits once again, the biggest problem was that nobody had a clue what to call it. Drawing their wild, high-energy style from such Detroit-based rock acts of the late-1960s ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Folk music in Britain has an erratic history, susceptible to the fickle fates of fashion and image and almost eradicated completely by the apathy of the people whose culture it represents. Yet a hugely colourful treasure chest of music and traditions survives in the network of folk clubs that still exist up and down the country. British folk clubs have ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The UK garage scene began in London in the 1990s when enterprising DJ’s such as Norris ‘Da Bass’ Windross and Karl ‘Tuff Enuff’ Brown set up after-hours parties in the capital’s pubs for clubbers reluctant to end the revelry after spending the evening at one of London’s new superclubs, such as The Ministry Of Sound. ‘We used to pitch it ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Britain has had a thriving reggae scene for as long as there’s been reggae. There were sound systems in London in the 1950s, importing the same American R&B records as their Kingstonian counterparts, and ska was recorded in the UK from the early 1960s. But while the British sound systems were a carbon copy of Jamaican rigs, the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Yo’-han Ne’-po-mook Hoom’-mel) 1778–1837 Austrian composer and pianist A child prodigy, Hummel studied with Mozart soon after moving to Vienna at the age of eight, and later studied with Albrechtsberger and Salieri. From 1804 to 1811 he was Konzertmeister to Prince Esterházy, composing for the chapel (most of his sacred works date from this period), and was later Kapellmeister ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Yo’-sef Sook) 1874–1935 Czech violinist and composer Suk was second violinist with the Czech String Quartet from 1892 to 1922, then became a professor at the Prague Academy where, in 1892, he had been a favourite student of Dvořák. He later married Dvořák’s daughter, Otilie, and his love for her inspired many works, such as the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The ukulele is a fretted stringed instrument that looks like a four-stringed guitar. It is most commonly associated with Hawaii, where its name translates as ‘leaping flea’, but there are no other string instruments native to Hawaii and the ukulele in fact has its roots in Portugal. Origins of the Ukulele Three Portuguese instrument makers arrived in Hawaii in 1879 ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Universally acknowledged as one of the twentieth century’s emblematic composers, Edward Kennedy ‘Duke’ Ellington used his long-standing touring orchestra as a tool to create wholly unique tonal colours and a distinctive harmonic language in jazz. His career was characterized by the close and long-lasting relationships that he struck up with particular musicians and other figures from the music business, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, piano, vocals, 1906–77) Booker T. Washington White was raised on a farm outside Houston, Texas; his father taught him guitar in 1915. Two years later he learned piano and by 1921 he was working barrelhouses and honky tonks in St. Louis. Inspired by a meeting with Charley Patton, he hoboed through the South for much ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1948) Robillard’s grasp of blues and jazz has kept him in demand since he founded Roomful of Blues in 1967. He was born in Woonsocket, Rhode Island and was influenced by Bill Doggett, T-Bone Walker and many others, absorbing the fine details of playing and arranging. He left Roomful in 1979 for a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Banjo, comedian, 1901–86) DeSoto, Missouri-born Benjamin Francis ‘Whitey’ Johnson was, for decades, one of country music’s most popular comedians. He appeared on the Renfro Valley Barn Dance, in Kentucky in the late 1930s and starred on an NBC network radio show called Plantation Party in the early 1940s. He also appeared frequently on the Grand ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Composed: 1911 (re. 1912; 1918) Premiered: 1918, Budapest Libretto by Béla Balázs, after a fairy-tale by Charles Perrault Bluebeard and Judith appear in the doorway of his castle. She has left her family and declares she will never leave him. He closes the iron door. She offers to warm the stones and let in the light. There are no ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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