SEARCH RESULTS FOR: Velvet Underground
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Offbeat, daring, challenging, provocative, sometimes outrageous, always different, during the wildly experimental and progressive second half of the 1960s The Velvet Underground was the avant-rock outfit par excellence. Although not commercially successful, they produced groundbreaking music that would subsequently cultivate a strong cult following while heavily influencing the punk/new-wave generation. Acclaim And Disdain Eschewing ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Taking their name from the meagre rehearsal facilities of its early practitioners, garage rock began in the US during the mid-1960s. The loud, fuzz-toned guitars often failed to disguise links to UK pop mentors like The Beatles, Rolling Stones and The Who. later acid rock bands such as The Electric Prunes incorporated progressive and psychedelic influences. Mostly, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, b. 1943) The former Robert Velline was prominent among a crop of insipidly handsome boys-next-door who thrived in the early 1960s, having deputized on stage for Buddy Holly the evening after the Texan’s fatal plane crash in 1959. Vee’s hits included ‘Rubber Ball’, ‘Take Good Care Of My Baby’ – a US No. 1 – ‘Run To Him’ ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Alternative-rock guitarist Dave Navarro (b. 1967) was born in Santa Monica, California. After hearing Jimi Hendrix, Navarro began playing guitar at the age of seven and was in various bands in school. In 1986, he joined Jane’s Addiction on the recommendation of drummer Stephen Perkins, a childhood friend. Inspired by The Velvet Underground, Joy Division, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Grunge guitarist Kim Thayil (b. 1960) was born in Seattle, Washington. He was inspired to play guitar by Kiss, subsequently backtracking to the music which inspired them – The New York Dolls, MC5, The Stooges and The Velvet Underground. He bought his first guitar, a Guild S-100, which he would use throughout his career, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Unorthodox, uncompromising, Patti Smith was a seminal figure in the New York punk movement and has remained a touchstone for later generations of rock artists. Born on 30 December 1946, Smith was raised in southern New Jersey by her atheist father and Jehovah’s Witness mother. Leaving school at 16 she had brief, unsatisfying stints working in a ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Michael Stipe (born 4 January 1960, vocals) met Peter Buck (born 6 December 1956, guitar) in the Wuxtry record store in Athens, Georgia, in 1978. Two years later they met Bill Berry (born 31 July 1958, drums) and Mike Mills (born 17 December 1958, bass) at a party and Rapid Eye Movement – R.E ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1983–98) This irascible, much-lauded Scottish crew featured the Reid brothers, William and Jim (both vocals, guitar) and, for a while, Bobby Gillespie of Primal Scream (drums). They took The Velvet Underground’s art rock and overlaid surprisingly poppy melodies. Their early gigs turned into riots, but 1985’s Psychocandy was a very good debut ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Alternative experimental guitarist Thurston Moore (b. 1958) was born in Coral Gables, Florida. Inspired by New York’s punk and new-wave scene, Moore moved to the city in 1977. While playing in a band called The Coachmen, he met Lee Ranaldo, an art student and member of Glenn Branca’s avant-garde guitar orchestra. Moore assembled a band with bassist ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Krautrock, which emanated from West Germany during the late-1960s, fused The Velvet Underground’s white noise experiments and Pink Floyd’s psychedelic rock with the free-form jazz aesthetic and funk-based rhythms. Avoiding the dull virtuosity of progressive rock and the sanitised R&B pop of the late-1960s, Krautrock’s grand vision of reinventing the rock guitar as well as exploring the untapped possibilities ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Proto-punk bands, like all ‘proto’ genres, are by definition only identified retrospectively and generally share subversive and anti-establishment attitudes. Although punk rock was primarily a British phenomenon, there were several notable American punk bands and its musical roots lie more with these American bands than with British bands. The energy of pub rockers like Dr. Feelgood and Eddie ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The roots of punk lie in rock’n’roll, itself a rebellious spin-off from rhythm and blues. ‘Louie Louie’, written by Richard Berry in 1955 and a US No. 2 hit for The Kingsmen in 1963, is often cited as the first punk song with its raw sound and almost indecipherable lyrics (nonetheless investigated by the FBI for obscenity). The song ...

Source: Punk: The Brutal Truth, by Hugh Fielder and Mike Gent

Punk rock is about attitude more than music. It’s not about how well you can play, it’s about how well you can communicate. Its roots go back to the beginning of rock’n’roll in the 1950s. The rebellious spirit of MC5 and The Stooges in the 1960s helped to define the punk attitude, while Velvet Underground singer Lou Reed and ...

Source: Punk: The Brutal Truth, by Hugh Fielder and Mike Gent

1960 Jimmy Page: First-Ever Serious ‘Gig’ Aged just 16, Jimmy Page – whose first guitar was a steel-stringed Spanish guitar on which he learnt to play skiffle, before quickly moving on to rock’n’roll and the electric guitar – played his first ever serious ‘gig’. Though he had been in local bands before, playing for British poet Royston Ellis ...

Source: Led Zeppelin Revealed, by Jason Draper
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