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Offbeat, daring, challenging, provocative, sometimes outrageous, always different, during the wildly experimental and progressive second half of the 1960s The Velvet Underground was the avant-rock outfit par excellence. Although not commercially successful, they produced groundbreaking music that would subsequently cultivate a strong cult following while heavily influencing the punk/new-wave generation. Acclaim And Disdain Eschewing ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, b. 1943) The former Robert Velline was prominent among a crop of insipidly handsome boys-next-door who thrived in the early 1960s, having deputized on stage for Buddy Holly the evening after the Texan’s fatal plane crash in 1959. Vee’s hits included ‘Rubber Ball’, ‘Take Good Care Of My Baby’ – a US No. 1 – ‘Run To Him’ ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Alternative-rock guitarist Dave Navarro (b. 1967) was born in Santa Monica, California. After hearing Jimi Hendrix, Navarro began playing guitar at the age of seven and was in various bands in school. In 1986, he joined Jane’s Addiction on the recommendation of drummer Stephen Perkins, a childhood friend. Inspired by The Velvet Underground, Joy Division, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

David Bowie has inspired more musicians than most recording artists, but he naturally also had his own formative influences. Who Does He Love ? It almost goes without saying that Elvis Presley was important to him: few of the musicians who became teenagers in the Sixties weren’t overwhelmed by The King’s stunning larynx and greaseball beauty. Perhaps revealingly, Bowie ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

(Tenor saxophone, b. 1929) Admired by post-1960s Chicago improvisers as a founding member of the Association for the Advancement of Creative Musicians, tenor saxophonist Fred Anderson’s reputation spread after his first trip to Europe in 1977, but he was very sparsely recorded until the 1990s. Since then his huge tone and gutsy, freely associative statements have been ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

September ‘American Idiot’ The song that was to revitalize the career of Green Day was a protest against the war in Iraq promulgated by American president George W. Bush. With lines like ‘Don’t want to be an American idiot,’ ‘I’m not part of a redneck agenda’ and ‘now everybody do the propaganda’ was a powerful anti-Bush statement. Musically, ‘American ...

Source: Green Day Revealed, by Ian Shirley

(Vocal/instrumental group, 1985–present) Axl Rose (b. William Bailey, vocals) and Izzy Stradlin (b. Jeffrey Isbell, guitar) were joined by Slash (b. Saul Hudson, guitar), Duff McKagan (bass) and Steve Adler (drums) to form a band that gave the heavy rock scene a mighty shaking. Signed to Geffen – after the 1986 EP Live ?1*@ Like A Suicide ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1966) Jackson’s music career started slowly, though she performed with the family firm aged seven. The youngest of The Jacksons of Michael etc. fame, she was also a child actor but it was her third collection Control (1986), which gained her musical recognition. Produced by ace production duo Jimmy Jam and Terry Lewis – as all ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Grunge guitarist Kim Thayil (b. 1960) was born in Seattle, Washington. He was inspired to play guitar by Kiss, subsequently backtracking to the music which inspired them – The New York Dolls, MC5, The Stooges and The Velvet Underground. He bought his first guitar, a Guild S-100, which he would use throughout his career, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

1960 Jimmy Page: First-Ever Serious ‘Gig’ Aged just 16, Jimmy Page – whose first guitar was a steel-stringed Spanish guitar on which he learnt to play skiffle, before quickly moving on to rock’n’roll and the electric guitar – played his first ever serious ‘gig’. Though he had been in local bands before, playing for British poet Royston Ellis ...

Source: Led Zeppelin Revealed, by Jason Draper

January Rolling Stone Slates Led Zeppelin Despite great radio airplay, the US print media were lukewarm towards Led Zeppelin’s self-titled debut. In an advance review, Rolling Stone magazine regarded Led Zeppelin as little more than ‘an excellent guitarist … a competent rhythm section and a pretty soul belter who can do a good spade imitation’. Perhaps most galling for ...

Source: Led Zeppelin Revealed, by Jason Draper

Lenny Breau (1941–84) was a Canadian guitarist who blended many styles of music, including country, classical, flamenco and jazz guitar. Breau, inspired by country guitarists like Chet Atkins, used fingerstyle techniques not usually associated with jazz guitar. Breau was born in Auburn, Maine. His French-speaking parents, Hal ‘Lone Pine’ Breau and Betty Cody, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Unorthodox, uncompromising, Patti Smith was a seminal figure in the New York punk movement and has remained a touchstone for later generations of rock artists. Born on 30 December 1946, Smith was raised in southern New Jersey by her atheist father and Jehovah’s Witness mother. Leaving school at 16 she had brief, unsatisfying stints working in a ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Michael Stipe (born 4 January 1960, vocals) met Peter Buck (born 6 December 1956, guitar) in the Wuxtry record store in Athens, Georgia, in 1978. Two years later they met Bill Berry (born 31 July 1958, drums) and Mike Mills (born 17 December 1958, bass) at a party and Rapid Eye Movement – R.E ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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