SEARCH RESULTS FOR: Isaac Hayes
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(Saxophone, vocals, b. 1942–2008) This soul singer from Tennessee began his musical career as a saxophonist for Stax Records studio band The Mar-Keys. The album Hot Buttered Soul (1969) was his commercial breakthrough and Hayes became internationally famous with the soundtrack to the film Shaft (1971), the style of which anticipated disco. After leaving Stax, his records were ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Hin’-rikh E’-zak) c. 1450–1517 Flemish composer Isaac worked in Florence from the mid-1480s until 1494, when the changing fortunes of the Medici family cost him his job. In 1497 he was hired by the Habsburg emperor Maximilian I, to the appointment of Hofkomponist (court composer). Although he remained in Maximilian’s pay for the rest of his life, he travelled ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(E’-zak Al-ba’-neth) 1860–1909 Spanish pianist and composer Albéniz led the revival of a Spanish national musical style at the turn of the twentieth century. He studied composition with Felipe Pedrell (1841–1922), famous for his pioneering collections of Spanish folk and classical music that also inspired Albéniz’s contemporary Enrique Granados and, a little later, Manuel de Falla (1876–1946). Aged 20, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1920–2001 American violinist Born in Russia, Stern was taken by his parents to America when he was just a baby. He later studied in San Francisco, where he played the Brahms concerto under Pierre Monteux in 1936. He played for Allied troops during World War II, and made his European debut at the Lucerne Festival in 1948. He ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, b. 1951) Born in Kingston, Jamaica, Isaacs is one of the top reggae artists of the last four decades. After a handful of records for smaller labels he started his own African Museum label with fellow singer Errol Dunkley. He also recorded for myriad other producers, and discs with Lee ‘Scratch’ Perry and Sly and Robbie ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Albert King’s late 1960s and early 1970s recordings for the Stax label remain cornerstones of modern blues. Tunes like ‘Born Under A Bad Sign’, ‘Crosscut Saw’ and ‘I’ll Play the Blues For You’ are also an antidote to the over-the-top playing indulged in by so many contemporary blues guitarists. For King, a six-foot-four, 250-pound man possessed of a big ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1942) Aged 17, Thomas recorded ‘Gee Whiz (Look At His Eyes)’, the 1960 track that put Stax Records on the national map with its first Top 10 hit. She went on to become the Queen of Memphis Soul, backed by the talents of producer Isaac Hayes, house band Booker T. And The M.G.s ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1969–78, 1979–present) Purveyors of space rock since the late 1960s, Hawkwind were formed in the hippy community of London’s Ladbroke Grove. The band’s line-up has rarely remained stable for long but at the time of the surprise UK No. 3 ‘Silver Machine’ in 1972, the core members were ever-present founder Dave Brock (guitar, vocals), ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal duo, 1965–70) The original inspiration for The Blues Brothers, Sam Moore and Dave Prater signed to Atlantic in 1965 and recorded a string of energetic soul shouts at Stax under the production team of Isaac Hayes and David Porter, including ‘Hold On! I’m Coming’ and Southern Soul anthem ‘Soul Man’. They split in 1970, personal ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Steve ‘The Colonel’ Cropper is an American guitarist, songwriter, producer and soul musician, best known for his work creating the trailblazing soul records produced by Memphis’s Stax label as a member of its studio band, which became Booker T. & The M.G.s, in the mid-1960s. Stephen Lee Cropper was born on a farm outside ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The story of soul’s Golden Age is linked with the story of two American record labels: Berry Gordy’s Motown and Jim Stewart & Estelle Axton’s Stax. They discovered artists, wrote songs and developed recording and marketing methods that would irrevocably change popular music, and have a profound effect on the perception of race all over world. Motown’s base in ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Since the dawn of the jazz era, the appeal of pop music had become increasingly intertwined with the demands of the dancefloor. As 1960s rock and soul became ever tougher and more orientated towards youth and hedonism it was only a matter of time before someone would come up with the ultimate dance groove. That someone was soul’s greatest innovator ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Disco had successfully been portrayed in the backlash as un-American, of questionable sexuality, lacking the substance and resonance of rock. In underground clubs, however, house music constituted a mutation of the sound, concentrating its energies on the synthetic noises and elements of repetition that were common in many disco cuts. House music derived its name from ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

After the seismic shifts of the previous decade, the 1970s reflected faster-moving, less permanent crazes, beginning with glam rock and ending with the new wave. Glam rock saw the likes of Alice Cooper and Kiss taking make-up to extremes, while the comparatively anonymous Eagles and Bruce Springsteen respectively updated the blueprints established the previous decade by country ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

In 1905, and probably for several decades before that, there were more pianos in the United States than there were bathtubs. In Europe, throughout the nineteenth century, piano sales increased at a greater rate than the population. English, French and German makers dispatched veritable armies of pianos to every corner of the Earth. It was the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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