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(Vocals, 1932–96) Young reigned as one of country music’s most popular figures, frequently topping the charts with honky-tonk anthems like ‘Live Fast, Love Hard, Die Young’ (1955), ‘I’ve Got Five Dollars And It’s Saturday Night’ (1956) and the Willie Nelson-penned ‘Hello Walls’. In the late 1960s and early 1970s, he also had success with mellow Nashville ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

AC/DC guitarist Angus Young – all five feet two inches of him – is a larger-than-life figure. Rising up from working-class Scottish roots to become the heart and soul of one of the greatest rock’n’roll bands of all time, Young, with his schoolboy outfit and Gibson SG in hand, has become the definitive rock-guitar icon. Born in Glasgow ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Hailed as one of hard rock’s greatest rhythm guitarists, Malcolm Young (b. 1953) was born in Glasgow, Scotland. When he was 10, the family emmigrated to Sydney, Australia, where Malcolm and younger brother Angus were taught to play guitar by elder sibling George, a member of The Easybeats. Malcolm founded AC/DC with Angus in 1973. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Canadian rock legend Neil Young (b. 1945) has become respected as much for his playing as for his composing and vocal work with his occasional partners Crosby, Stills & Nash. Born in Toronto, Canada, Young got a ukulele from his father for Christmas in 1958. In 1960, Young moved to Winnipeg with his mother. A poor student ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The young country movement was an industry-driven trend aimed at the mass market of teens and twenty-something music fans. Like the urban cowboys, young country artists often contemporized or diluted prevailing styles like honky-tonk and pop country for mass consumption. The early 1990s saw a continuation of the mid- and late-1980s neo-traditionalist movement and produced a glut of gifted young ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Of all the great solo architects of the 1930s, none personified the smooth, penetrating sweep through space and time more ideally or organically than tenor saxophonist Lester Young. His fluid, unforced phrasing and undulating attack were matched to a cool, satin skin of sound that seemed to dispel all friction by decompressing the emotional density of the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, b. 1942) Young grew up listening to country music in his native Georgia, played folk music in Greenwich Village and recorded early country-rock with Gram Parsons and Chris Hillman in California. He wove these disparate experiences into vivid story songs that were recorded by the Eagles, Waylon Jennings, Hank Williams Jr. and Dolly Parton. ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Composed: 1959–61 Premiered: 1961, Schwetzingen Libretto by W. H. Auden and Chester Kallman Act I Hilda Mack recalls how her husband set out to climb the Hammerhorn 40 years ago. Dr Reischmann and Carolina, physician and secretary to the poet Gregor Mittenhofer, agree that no one thanks ‘the Servants of the Servant of the Muse’. Reischmann’s son Toni ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Guitar, vocals, b. 1945) This highly respected Canadian musician first came to prominence in 1967 as a member of Buffalo Springfield. Young’s solo career began in 1969 with Neil Young. For his next album, Everybody Knows This Is Nowhere (1969), he recruited Danny Whitten (guitar), Billy Talbot (bass) and Ralph Molina (drums), collectively known as Crazy Horse. Shortly ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1979) Will Young is perhaps most famously remembered as the winner of UK TV talent show Pop Idol in 2002 over favourite Gareth Gates. Since then he has achieved the rare privilege of sustaining a chart career. After secrecy surrounding his homosexuality during the competition, the singer/actor went on to chart highly several times and sustain his ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Although Bakersfield had already played host to a number of country-music artists, it was Buck Owens (1929–2006) who not only put it on the map, but also spread its name around the world. So great was his impact, some even called it ‘Buckersfield’. The Road To Bakersfield Hailing from Sherman, Texas, and born Alvis Edgar Owens ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Rural Alabama-born Hiram Williams (1923–53) has emerged in the half-century since his death – at age 29 – as the archetypal honky-tonk artist and arguably the single most influential artist in modern country music. The songs that Williams wrote and sang in the course of his short and none-too-sweet life – ‘Hey Good Lookin’,’ ‘I’m So Lonesome I Could Cry’, ‘Cold ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Record producer, b. 1911) A major force in country music’s development during the post-war years, Minnesota-born Kenneth F. Nelson began his days at Capitol Records on the behest of old friend Lee Gillette, handling transcriptions. When Gillette took over the label’s pop division in 1951, Nelson took over the A&R country responsibilities, having first become involved ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

A few days after Christmas, 1969, Willie Nelson (b. 1933) watched his house outside Nashville burn to the ground. Going up in flames were not only his furniture, guitars and only copies of unpublished songs – but also some of his ties to Music Row. A New Beginning Nelson had begun the decade as one of the hottest ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Nashville sound has been both praised and maligned. Occasionally called ‘crossover country’, ‘easy listening country’ or ‘countrypolitan’, it was a trend more than an innovation. As such, it arose as much from commercial considerations as it did from personal artistry. All through the decades there have been periodic cross-pollinations between the country world and the wider pop audience. From ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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